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October 31, 2024 - 7:15pm
Earlier this week, the Vatican unveiled Luce: a cheerful little girl with big eyes, blue hair, and a yellow raincoat. Introduced as the mascot for both the 2025 Jubilee year and the Vatican’s pavilion at Expo 2025, she represents what Archbishop Rino Fisichella, the Vatican’s chief Jubilee organiser, describes as an effort to appeal to younger generations. Most importantly, though, Luce is an anime girl.
The choice of a “kawaii” anime girl isn’t arbitrary. While Luce is certainly a nod to the World Expo’s 2025 location of Osaka in Japan, anime has also emerged in the last decade as a global cultural lingua franca. From Saudi Arabia, which has invested in its own anime production initiatives, to major anime conventions across the Philippines, Mexico, Brazil, and India, anime’s influence transcends Japan’s broader decline in soft power. Anime, in many ways, has become bigger than Japan itself. The whole world loves anime now, and its visual language crosses borders with an ease matched only by the likes of Elvis or Marilyn Monroe.
This timing coincides with Catholicism’s significant demographic shifts. While Europe has lost approximately 461,000 Catholics, the global Catholic population has grown by 13.7 million to reach 1.39 billion, with Africa alone gaining 7.3 million new Catholics and expansion in Asia. Catholicism is growing — just not in Europe or North America, where pews remain comparatively empty.
Curiously, though, the American and British media have spent the last three years breathlessly reporting on a supposed Gen-Z Catholic revival, from the faux TradCaths of Dimes Square to #CatholicCore on TikTok to Nick Fuentes’s far-Right following and #tradwives across social platforms. There are even a few “guru” priests in the mix, such as the controversial Father Mathieu Jasseron, who boasts 1.2 million followers. We’ve been hearing since 2021 that Zoomers love Catholicism.
Yet this fascination hasn’t translated into religious participation, not even in Traditional Latin Mass which is — or at least was — apparently “surging” in popularity. Generation Z shows historically low rates of religious engagement: 34% are religiously unaffiliated, and 38% never attend religious services. The enthusiasm for mantillas or rosaries as “aesthetic” hasn’t led to increased religious practice. Instead, traditional Catholic imagery has become another element in fast fashion, stripped of its spiritual significance. Or maybe the situation is even more dire than that: Catholicism been used as a prop to play-act religion, without any genuine investment. It’s all fun and games until you have to go to confession and be honest about all the “premarital” you’ve been having.
Still, these blips on the radar — these aesthetic trends, the Catholic imagery on social media, the memes — could have been capitalised on by the Vatican. A wink to the audience, an exhortation that maybe instead of wearing your rosary as a necklace, you should try praying sometimes. But no exhortations are to be found, not this year, nor when Catholicism was going viral three years ago. Its flash-in-the-pan aesthetic resonance in the early 2020s seemed to only be appealing to the press.
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SubscribeWhat i want to know is: who dressed Luce? And how much leg is she showing underneath that coat? Will it appeal to Luce women?
Should there not be a black or at least brown Luce if it is supposed to be universal. Seems a bit white supremacy Luce or does she shade differently in different regions?
Think she comes in different skin shades.
At first I viewed this with a derisive snort, but then I wondered about exactly who they were targeting and it has to be very young girls. If that’s the case it’s a better device than an abstract cross, a tormented body nailed to a cross or a mother holding her dead son. The baby has always been there so it’s not such a stretch. But I can’t help thinking that by it’s very design and appeal it will get lost and lose meaning amid the flood of similar images used for different purposes. It seems to me that if you can’t remain embedded in your culture through its traditional images and codes then you have lost and whatever you replace it with you’re adrift.
This article does well to distinguish between the Roman Catholic church and Christianity in general. Although its use of the term ‘the church’ in later paragraphs as synonymous with Romanism suggests a latent confusion about what the Church is and means.
Aniconism and the conscientious eschewing of iconography is a tradition as old, if not older, than any and all Christian attempts to use imagery to spread the gospel.
As a cradle Catholic and traditional Mass attendee and sedeprivationist, there are no surprises that come from the false Church led by Jorge the Heretic and his Freemason or otherwise affiliated cohorts in the Curia.
Miserere nobis!