May 8, 2024 - 11:55am

The comedy landscape has undergone seismic shifts since The Onion‘s inception as a Wisconsin-based print weekly in 1988. Once the vanguard of satirical news on the internet in the late Nineties, the publication fell on hard times in the 2010s when its owners attempted to create an entire media ecosystem in the style of Vice and BuzzFeed (not that those two digital upstarts fared much better). And now The Onion’s latest attempt at a Left-leaning revival — under new CEO Ben Collins, a former “disinformation” reporter with little in the way of a background in satire, and primary financial backer Jeff Lawson — appears to be yet another misaligned understanding of the modern media ecosystem.

Since Collins announced his leading role in the venture in late April — boldly promising to save remaining jobs, let writers “do whatever they want”, and share revenue when feasible — The Onion has exhibited a tilt towards more overtly partisan content. Letting the staff “do whatever they want” has resulted in ham-fisted articles such as “Columbia University Gives Students Option to Finish Classes From Prison” and “White Person Way Too Proud of Using WhatsApp”. This is a marked shift from the universal appeal of its earlier work to content that resonates not just primarily but exclusively with a Left-leaning audience — even when compared to its obvious Obama-era pivot toward an explicitly liberal bias.

To an extent, this approach mirrors the tactics of upstart competitor The Babylon Bee, a Right-wing satirical site that has capitalised on its clear market positioning and disproportionately high Facebook use by Baby Boomers and conservatives to achieve significant revenue growth over the past three years.

The trouble is that the satire market is far more saturated on the Left. The Onion is now competing with a host of television shows, podcasts, and comedians — everything and everyone from Jon Stewart’s second tenure on The Daily Show to Chapo Trap House, Dave Chappelle to Hannah Gadsby  — that already have established followings. By choosing sides, so to speak, The Onion may alienate the most promising part of its potential audience — disaffected Xennial readers desperately seeking a revival of the type of comedy dominant in popular culture before the new millennium.

During the Nineties and early 2000s, The Onion‘s content succeeded because it was characterised by a broader, more universally accessible humour which leveraged everyday absurdities while not being overtly political. In place of predictable, partisan gags, these jokes contained insights about the human condition that could amuse anyone smart enough to get the joke.

Indeed, even as The Onion grew in its early days, it continued to range widely across the comedy and entertainment spectrum. The late-Nineties internet incarnation of the publication brought the golden age of its AV Club, which conducted in-depth interviews with a wide range of artists and creatives, many of whom held heterodox views that today might pigeonhole them into specific political or cultural media outlets.

In 2024, The Onion needs more than just a revival of its creative spirit: it requires a redefinition. The Nineties precedent is informative. What could conceivably work — but might now be impossible considering the ideological leanings of the staff — is a return to the smart, big-tent humour that characterised the publication’s roots.

With no background in comedy but plenty of experience in ideologically-oriented media, Collins clearly believes a segmented audience is the way to go. Yet even safer, liberal-leaning properties such as SNL have recently found room for guests like former cast member Shane Gillis, whose stand-up comedy has reached audiences on both the Right and Left in the years since he was unceremoniously fired from the show for wrongthink. It’s the sort of outside-the-box approach that could save a start-up — which is what The Onion was back in the late Eighties. That’s also why it succeeded beyond its founders’ wildest dreams in the first place.


Oliver Bateman is a historian and journalist based in Pittsburgh. He blogs, vlogs, and podcasts at his Substack, Oliver Bateman Does the Work

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