An intolerant movement has found a new target: literary festivals. Last night, in a development that should worry everyone who values open debate, the Edinburgh International Book Festival (EIBF) followed the example of the Hay Festival by suspending links with one of its sponsors, the investment company Baillie Gifford.
Both festivals have been hit by authors withdrawing and fears of disruption, prompted by a little-known group calling themselves “Fossil Free Books”. In recent weeks, they sent an email to writers, calling on them to protest about Hay’s sponsorship deal with Baillie Gifford or withdraw from appearing. The activists accuse the company of investing in the petrochemical industry and criticise its links with companies that operate in Israel.
In reality, Baillie Gifford’s investment in fossil fuels is 2%, well below the industry average, while their involvement in Israel consists of investing in companies such as Amazon and Airbnb, which millions of consumers use without qualm everyday. Predictably, the flight from Hay was led not by authors, but the singer Charlotte Church, the Labour MP Dawn Butler and the Labour peer Shami Chakrabarti. But around 600 authors signed an open letter, leading to events being cancelled and tickets having to be refunded. In Edinburgh, similar pressure was being exerted.
The EIBF board issued a statement describing what it faced as “a campaign of coercion”. Its chief executive, Jenny Niven, said the decision had been taken because “the pressure on our team has simply become intolerable”. Its chair, the veteran journalist Allan Little, said bluntly that the organisers “cannot be expected to deliver a safe and sustainable festival this August under the constant threat of disruption from activists”.
Fossil Free Books claim they were simply trying to put pressure on Baillie Gifford, but their rhetoric is both inflammatory and familiar. They accuse the company of profiting from “Israeli apartheid, occupation and genocide”, slogans that have created an intimidating atmosphere for Jews in this country. The campaign will have no effect whatsoever on the conflict in the Middle East or on global warming but it will hit authors, many of whom are struggling to survive.
Festivals are vital to the literary economy. According to a recent survey by the Authors’ Licensing and Collecting Society (ALCS), median earnings from writing are now £7,000 a year. To their credit, Hay and Edinburgh pay writers to talk about their work, unlike some smaller festivals. If their sponsorship deals collapse — and Baillie Gifford will only be the first target — it is poorly paid authors who will suffer.
In an over-heated atmosphere, where prominent people live in terror of saying or doing the wrong thing, activists have enormous influence. During the Labour leadership campaign in 2020, a previously unknown organisation calling itself the Labour Campaign for Trans Rights demanded that the candidates sign a series of pledges, including one to expel “transphobic” members of the party. Most did, including Lisa Nandy, Rebecca Long-Bailey and current deputy leader, Angela Rayner.
The speed with which well-known people give in to the demands of self-appointed moral arbiters is astonishing. Some appear to have lost any capacity for critical thinking, responding like Pavlov’s dogs to a series of cues: trans rights, fossil fuels, Israel. Writers, of all people, should know better. This is not moral clarity, but its exact opposite.
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SubscribeAppeasing the modern-day brown shirts will be no more effective than similar attempts to mollify the previous versions.
Be nice to think that people might now boycott the event, but in all honesty, most literally festivals are simply gatherings of nodding dogs who already support the omnicause.
But the most interesting thing is the fact that the participants are confident in their outstanding literary abilities. This is what I just can’t understand.
It won’t have any effect on the policy in question (Climate change/Israeli apartheid) if the festivals don’t give in. The activists have won if one festival does what it wants. It is like paying kidnappers – your own might be safe but more and greater misery will be the result.
The 600 or so individuals who signed the open letter are not all authors, and most would scarcely count as household names, even in their own households. A useful starting point for a readers’ boycott all the same. One wonders where they think the light, heat and power used by the book festival will come from, how people will get there, and how their books will be published and read, if not via fossil fuels.
I think book festivals are a thing of past. Like everything today, politics have infiltrated what used to be a venue celebrating books and their excited fans. And it’s the new writers, hoping their books will find an audience, who will lose. Virtue signaling wins the day. I will find out who the authors are who have ruined these festivals and no longer read their books.
I hope the festival goes bust. As a reasonably regular visitor to it in the last decade and a bit it, I certainly won’t be going to it again.
Shocker. Another NGO imposing its will on the people. Wonder where its funding comes from. I tried to get on its website, but it wouldn’t even load.
George Soros or Mackenzie Bezos most likely, but you’ll need a week to track your way thru a myriad of interconnected groups, orgs and non-profits to get to the source.
They operate like protection rackets. Check out Sweet Baby Inc and its choke-hold on video game developers.
Who cares! The Edinburgh Book Festival is now so dull. I stopped going about 4 years ago. I wouldn’t mibd if the whole thing folded.
Looks like the will fulfill your wish.
Apparently Fossil Free Books combined its environmental activism with the protest against investment in Israel “because climate justice and freedom for Palestine are intertwined.” Can anyone explain the connection?
No because there isn’t one.
See this article which does a great job of explaining such connections: https://unherd.com/2024/05/how-hamas-became-radical-chic/
Ironically, the strap-line of Pen International, the organisation of authors, is ‘Promoting literature and defending freedom of expression worldwide since 1921.’
A list of those authors who signed the open letter should be provided.