How do you get a hypocrite to feel shame? The activist collective Led By Donkeys think they have found the answer: organise a needling visual provocation in the hypocrite’s vicinity, put the film of it online, then watch it go viral. You might wonder whether, despite the technological trappings, this isn’t just the modern equivalent of throwing rotten tomatoes, but Ben Stewart, James Sadri, Oliver Knowles and Will Rose want you to know they have been making important art all along. The quartet have a new coffee table book out to prove it, Adventures in Art, Activism and Accountability, documenting the group’s campaigns from the Brexit era to the present, and accompanied by a gallery exhibition in Bristol.
Their initial emergence was much lower key. An earlier book from 2019, capitalising on their newfound fame as self-described “Remainer activists”, describes the period in which they first became known for pasting posters on billboards in Southeast England, gonzo style. It is written up as a kind of subpar Ealing comedy: four ordinary house husbands from Hackney accidentally get caught up in a daring and wildly popular social protest, eventually becoming national heroes feted by Tony Blair, Steve Coogan, and Saatchi & Saatchi.
In this early telling of their origin story, there are comic capers galore, involving mishaps with wallpaper paste, run-ins with security guards, and the strategic recurrence of Ben’s fear of heights. There are also quite a few barely latent daddy issues (“What is it about David Davis that makes him such a prick?”;“there’s something about Dominic Raab that is volcanically dislikeable”; “Olly is possessed by a visceral dislike for Michael Gove”; “Firstly and lastly, fuck Rod Liddle”). And despite braggadocio at times implying that the four are hardened activists (“We’ve scaled buildings and occupied headquarters, hung banners and even been arrested and prosecuted”), equally there is much hammed up nervousness about committing illegal acts: “This is criminal damage; it’s the A10 … We don’t want to get arrested, we both have to take the kids to school and nursery in the morning”.
There is also enormous detail in the early book about how much things cost, giving rise to such fascinatingly banal sentences as: “We assume that ordering five 6x3m posters will set us back the best part of £1000 but in reality each poster is forty quid and delivery is free.” Gripping verbatim text exchanges from key moments in the project are included, such as “@Will, any chance of pdfs today? Or is kiddie craziness descending?” and “We should decide by tomorrow lunchtime so I can get the posters ordered to arrive his week”.
Things have got a lot slicker since the early days, and the virtual tomatoes are now heirloom variety (price available on request). In the new book, our guys are no longer styled as plucky outsiders but as solemnly engaged in an “accountability project”. In the interim, crowdfunder targets have been smashed; mutually advantageous corporate relationships have blossomed; famous screenwriters and actors are now onboard; and the groups’ campaigns, both here and in the US, have become bloated with technical gimmickry, celebrity collabs, and self-importance. And now that being a Remainer is no longer fashionable, the mission has seamlessly drifted into vaguer ideological territory: towards fighting what the new book variously calls “populist politics and petty nationalism” and “ethnojingoism”. Definitions are not supplied, but one suspects that however the authors mean “populist” and “petty”, it won’t turn out to include them.
In practice, their core business is still midwit vituperation by photoshop, mostly aimed at Right-wing politicians, plus some more positive interventions designed to tug at the heartstrings of the sort of person whose bicycle comes with a sidecar. So for instance: they enlisted a thousand volunteers to cover a wall of the Embankment with love hearts, thus creating “The National Covid Memorial Wall” ; covered the road outside the Russian Embassy with “non-toxic, chalk-based” blue and yellow paint; and projected “End Performative Cruelty” in giant letters onto the Bibby Stockholm barge, only months before releasing a remote-control banner in Liz Truss’s presence depicting her as a giant lettuce with eyes.
Also this year, they filmed six kilometres worth of second-hand kids’ outfits arranged on a Dorset beach and set it to the sound of Bach, in order to get people to “grasp … the number of children killed in Gaza”. (An earlier idea, thankfully rejected, involved “thousands of funeral shrouds”.) In other words: if you like your morality tales childishly uncomplicated, prefer the literal over the symbolic, and don’t mind pedestrian visuals that rely heavily on scale for impact, then this is undoubtedly the art collective you deserve.
KS is being too kind with her “midwit” descriptor.
A more accurate description of the sub-sixth form banalities emanating from these guys would be:
“Performed by Donkeys”
That they’re being “lionised” by sections of the British establishment is no clearer demonstration of the falling IQ levels of that class, and goes a long way to explaining why the UK is in decline. But we needn’t worry, because as Sir Two Tier tells us:
“He’s in charge”
Having to even say that demonstrates how rapidly he’s lost authority. Now, we truly are being “led” by a donkey.
Kathleen, you read it so we didn’t have to. Your country thanks you for your service.
Nothing new here, Just upper middle class people suffering from boredom, unfulfillment, and narcissism trying to aggressively impose their politics on society and looking for meaning and relevance in the process. It’s pretty much the defining aspect of politics in this day and age.
‘The quartet have a new coffee table book out to prove it, Adventures in Art, Activism and Accountability, documenting the group’s campaigns from the Brexit era to the present, and accompanied by a gallery exhibition in Bristol.’
,’ the mission has seamlessly drifted into vaguer ideological territory: towards fighting what the new book variously calls “populist politics and petty nationalism” and “ethnojingoism”.’
They should rename their book’ How to sh*t on the working class of Britain’.
Let the government continue mass migration, the erosion of your wages and let’s keep feeding the housing shortage and the black hole that is the NHS budget.
Fighting populist politics and nationalism is rather a funny mission statement.
Fighting populism would mean really being in favour of war with Russia and China, which you need nationalism to fight.
Populism would entail calling for peace to keep supply chains stable and prevent the masses from being conscripted, subjected to ridiculous inflation and what could be serious economic hardship.
So you can’t object to nationalism and populism at the moment. It just doesn’t work.
: “This is criminal damage; it’s the A10 … We don’t want to get arrested, we both have to take the kids to school and nursery in the morning”.
I wonder how far they would really go to put themselves between an actual harpoon and a whale.
“@Will, any chance of pdfs today? Or is kiddie craziness descending?”
I think I flound the answer. Anything riskier than getting a glue stick and a sychophantic poster out would be too far.
:’ four ordinary house husbands from Hackney accidentally get caught up in a daring and wildly popular social protest’
The usual suspects. Middle Englanders with too much spare time, a headful of luxury beliefs and socialist nonsense. This is how N*zism started.
These are the types that throw actual sh*t at you on the school playground for your populist and nationalist beliefs.
When the history books are written on these times people who like to fashion themselves as “The Grown Ups” and “On the right side of history” will be regarded on the same level of stupidity as the Native Americans who sold Manhattan for a bag of marbles. Their inability to spot the arrival of genocidal theocratic fascism into their country and the encouragement given by them to these forces will be marvelled at by history.
The Truss cabbage stunt was a plagiarism of the Sun’s reworking of Graham Taylor as a turnip. Hardly the company that Led by Donkeys aspire to keep. They of course prefer to keep the company of war criminals such as Blair and Campbell.
Meanwhile in the real world it is clear that the hypocritical donkeys are Starmer and Rayner.
Great essay. Simple minded fanatics, well put indeed.
Like the 19th-century anarchists, Led By Donkeys are big believers in the “propaganda of the deed,” but they lack the courage of that earlier generation of ineffectual nutters’ convictions.
Stock never disappoints. She is in the top few political writers in this country.
“ “End Performative Cruelty” in giant letters onto the Bibby Stockholm barge…..”
When will this performative empathy end?
So incredibly easy to criticise solutions when you don’t have to provide ones yourself.
I’m sure they hold all the fashionable luxury beliefs and are big hits at parties. Probably make a nice living as well, being the arbiters of what’s righteous and good.
Kathleen, you read it so we didn’t have to. Your country thanks you for your service.
Come now. Everybody knows that the highest and best thing to be in these times is to be an Activist and to be the Scourge of the Booboisie.
“Simple- minded fanatics”. Thank you for hitting the bullseye yet again!
I think some important points are missing, and with them a wide angle of perspective on this issue.
Comedy is a powerful tool for mobilising consensus among the masses, and the masses are, as a matter of statistical axiom, midwits.
KS makes the mistake of projecting the mental fruits of her own erudition and intellect on the plebeian many. Nowhere is this more evident than in the article’s last sentence: “The rest of us, tired of forever wars between simple-minded fanatics, should probably consider indulging in some billboard defacement of our own.”
For who are ‘the rest of us’? Small in number are those who bother to read a long-form think piece with words like ‘vituperation’ in it, smaller still those who could craft such an article, and smallest of all are the chances they would produce billboards that would win the hearts and minds of their intellectual inferiors.
As ever, an incisive essay from KS.
Let Donkeys be Donkeys. As evidenced by this protest group human stupidity is species specific.
Presumably the book was created to apply even more pressure on the establishment, to finally bring it to its knees.
I’m not sure if shame is no longer a feature of public life, or whether the bar is just set much higher than it used to be. I wonder, for example, whether it is realistically open to Huw Edwards to attempt a Profumo-style atonement.
Confirmation bias provides a strong motivation for simple-minded fanatics, any criticism or praise fuelling the fanaticism. So instead of engaging with some billboard defacement let us just deploy complete indifference. Over and over again.
Am I alone in not know who she is talking about? I never heard of this group, their book or their antics.
Should they be publicised?
The problem with people ile you Stock is that you cannot tolerate people who disagree with you and you have no sense of humour. Truss’ humiliation was funny as was Farage’s (and before you write me off as a Leftist I vote Reform).
I wasn’t aware of most of this groups antics but did notice the Truss thing. She had already been forced out as PM so I did wonder at the need for this group to stalk and attempt to humiliate her. Finding this funny strikes me as a bit off.
Dear Kathleen- I think thou doth protest too much. Similar characters needled you perhaps? This po-faced article entirely misses the point.
They may be hipster knobs, but LBD’s stunts are most successful when they cause the audience to laugh at their intended political targets. To see the murderous anger in Nigel Farage’s eyes when Putin’s heart emoji descended (and hear his baying acolytes shouting ‘rip it down’) for a moment caused the well calibrated mask of reasonableness to slip.
We must begin to laugh at these maniacs who seek power. They are clowns. Very dangerous clowns.
Starmer , by contrast, has no mask of reasonableness.
Do you think Christopher Kohls parody ad of Kamala Harris is protected free speech?