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Britain is addicted to poverty porn We love to fetishise the poor

“Offered Business on England’s Worst Street” (Credit: @baldandbankrupt/YouTube)

“Offered Business on England’s Worst Street” (Credit: @baldandbankrupt/YouTube)


March 7, 2024   7 mins

What’s your deprivation fetish? Does the sight of a single mother pushing a pram with one hand while horsing down a Greggs sausage roll get you going? Perhaps the spectacle of a homeless person punting knocked-off earbuds on a street corner gets your blood up. Personally, nothing gets me in the mood quite like the sight of methadone being dispensed in a community pharmacy full of traumatised addicts sporting facial scars. Whatever your preferences, whether tales of gangland executions or prints of Eighties kids with rickets playing at the foot of boarded up tenements, in the UK, no penury kink is too shameful.  

Nobody does poverty porn quite like the Brits. In the 2000s, it was The Jeremy Kyle Show, presenting the poor, vulnerable and imbecilic as circus freaks for the sport of a crowing audience of working-class viewers who couldn’t see the joke was on them. By the 2010s, with austerity in full swing, poverty porn evolved into a grittier reality-TV format, tracking the lives of various hapless protagonists in the lowest resolution possible, as they stumbled from pillar to post office. Today, in a cost of living crisis, poverty porn is once again mutating to save its own bacon, finding new life in unfamiliar forms where it lurks with rapacious intent, undetected by the untrained eye.  

Its latest iterations take the form of news stories reporting tales of ingenious thrift in the face of skyward living costs and sanguine documentary films scored by stock, royalty-free piano. There, working-class presenters with little sociological grasp of the wider issues talk in sentimental platitudes about how sad, shocked, or angry they feel, bearing witness to the struggles of a permanent underclass — leaning into the well-worn televisual tropes which comprise poverty porn’s scope and aesthetic. Even well-meaning campaigners like Martin Lewis — whose endless tips on how we might save 7p a year by following 10,000 simple steps — fall within the genre which I will now attempt to formally define: any form of media that relies on poverty as a hook, while simultaneously failing to situate that poverty within a wider systemic context.   

The latest submission to the UK penury porn canon is world-beating travel vlogger and YouTube sensation Bald and Bankrupt’s latest upload, “Offered Business on England’s Worst Street”: a 37-minute sociological gangbang in which Bankrupt — real name Benjamin Rich — titillates viewers by shooting BrewDog IPA-ridden loads all over the face of post-industrial Britain, in the form of clichéd drive-by analysis of how shit everything looks. “The shops they have here tell you everything about the state of the economy,” he says, on the standard rundown high street which has become shorthand for the UK’s managed decline. Yet he makes no attempt to elaborate on what that story might be. “We used to build things like this,” he exclaims, gesturing towards a building. “You can’t see a doctor, you can’t see a dentist,” one woman explains, with testimony which threatens to make the film slightly more engaging. Rich’s uncurious response: “That’s interesting, that’s interesting,” before cutting to the graffitied frontage of another derelict pub. 

In this Vesuvian cum-shot of commentary, Rich leaves no stone unturned, no vandalised shutter unremarked upon, and no drug-addicted sex worker alone, in a one-man Durkheimian crusade to render the tell-tale signs of urban decay as one-dimensionally as is technically possible using the latest iPhone. There are so many opportunities throughout his journey from Plymouth to Birmingham and then Horden — the UK’s poorest town — to capture something other than the unbearable aesthetic noise of economic dereliction. But, sadly, Rich passes up the opportunity to dive deeper, and, in doing so, effortlessly embodies the vacuous reporting style that so often passes for journalism in the UK. 

 To get our jollies from porn, we must disengage the part of the brain which discerns truth from falsehood, and sometimes even right from wrong. Porn offers little but distraction and fleeting gratification and, like most media coverage of the topic of poverty, would be impossible to sit through if the ugly uncomfortable truths behind its production were placed front and centre.  

Many naturally attribute poverty porn’s tackiness to the poor tastes of its predominantly lower-class audience — a justification cited endlessly by the upper-middle class creators of various soap operas and comedies which depict working-class and poor people amateurishly. However, public fascination with poverty is not just a reflection of what audiences want but also a measure of what is convenient and profitable for production companies and newsrooms to make. Working at the behest of profit-hungry proprietors, under the duress of a strict deadline schedule, or in the case of social media, algorithms which reward frequent uploads that retain audience attention and drive engagement, poverty porn is not a simple matter of taste (or lack thereof), but the result of economic imperatives which incentivise morally dubious content and practices.  

Research into media portrayals of poverty and the poor, published by think tank the Joseph Rowntree Foundation in 2008, showed a tendency towards the sensational prevailed. Indeed, stories were often selected for their convenience to journalists working under time pressure. In daytime TV, the poor were frequently presented as dysfunctional, aggressive, and feckless. Peppered throughout the findings were prominent anonymised quotes from media professionals that revealed how stories about poverty are largely determined, not by social values, but by news values. One journalist said: “You have to make it eye-catching for the news editor to say, ‘Ah, I see why I’m doing this.’ The specialist correspondent has to make a very good case and so you are always looking for the most dramatic top line you can find.” The editor of a regional newspaper said: “Journalists don’t slam the door in the face of the poor. They just don’t go knocking. It’s not just the journalistic process: poor people don’t make their voices heard so their stories don’t get reported.”

The truth is poverty porn is big business. In the year before its cancellation — following the suicide of participant Steven Diamond, who took his own life after failing a lie-detector test — The Jeremy Kyle Show is estimated to have raked in around £80 million for ITV. The discussion around the show’s ethics, with respect to its premise, has always been something of a diversion from the exploitative economics that underwrote it, and all shows like it. All moral and creative justifications for Kyle’s bear-baiting, convincing as they may seem, were self-serving, post-hoc rationalisations: the freaks on that show were the ones behind the camera, who went along with ITV’s twisted Stanford Experiment all the way to a participant’s suicide. While old media struggles currently for the viewership numbers it once commanded, the tropes it firmly established with respect to poverty porn have not only made the leap to social media equivalents — hipsters filming themselves giving homeless people sandwiches being a recent toe-curling trend — but have also set the parameters for how most people think about poverty and the poor: poverty is a personal failing which can be transcended by a hard work, a positive mindset and less whining.  

What’s fascinating about Bald and Bankrupt’s short film is that he is clearly nowhere near as cynical or ignorant as Jeremy Kyle. His YouTube channel is a rare deep dive into cultures that we in the UK are rarely shown. In one video, he travels across the border from Lebanon into Syria, attending a football match in Damascus, where the sight of crowds of Arabs jumping up and down, shouting, fills the heart with joy and not existential dread. In another film, he goes off-grid in Russia, hoping to locate space-shuttles built in the Soviet era. This is a guy who comes as close as a person in the 21st century can get to being an explorer, thanks to his unpretentious, no-nonsense style, his willingness to take genuine life- and liberty-threatening risks, and for the wonderful rapport he has with locals wherever he goes.  

But his formula fails on home soil for one simple reason: Rich isn’t showing us anything we have not already seen. There is no novelty to distract from the lack of depth. No arresting vista to pull our attention away from the low production values. And no old men speaking Aramaic, accentuating a sense of intrigue and discovery, to pull focus from the ropey audio quality. All we see on screen is how little Rich understands the roots of the post-industrial malaise gripping the UK economy.  

He rails against skyward rail ticket prices yet fails to outline why placing public transport financially out of reach is so damaging, not only to vital educational and employment opportunities, but also the environment. He fails to identify privatisation as a key factor in the UK’s lacklustre transport infrastructure, where the cost of taking a train seems correlated to how unpleasant journeys are becoming. He laments the death of the seaside town, as we all do, but has nothing to say about how a terminally neglected housing stock, cowboy rental markets and an exodus of first-time buyers from London have fundamentally altered their economic topography, pricing people out of the communities they were raised in. He prompts young Romanian boys to talk about how dangerous the community is at night, but fails to engage with local entrepreneurs of ethnic minority origin who are practically keeping what’s left of local economies alive.  

Rich plays bingo with some locals and even has a dance in the pub, and in these moments his personable qualities really shine through, but he forgoes the open goal of examining why gambling and excessive drinking are the only industries operating in these areas which are not in decline: they numb the chronic stress, they quiet the aesthetic noise, and they provide the only safe, warm, comfortable public spaces where social solidarity is still possible. Rich is an everyman acting on his own curiosity, who seems genuinely shocked at the levels of dereliction and despair he witnesses. His problem is not a lack of empathy, nor a desire to exploit anyone; it’s all the bad habits he’s picked up from studying how old media has traditionally framed poverty.  

“Don’t shoot the messenger,” he says, wisely foreseeing well-targeted criticism for his less than stellar depiction of urban dereliction, but his film contains no message. There is no substance, only spectacle. There is no visual flair, only the lazy visual shorthand poverty tourists love furiously beating their meat to. The moment a sex worker tells him she was punched in the face by an abusive man, you can just sense his inner elation at having captured another stereotypical image of deprivation. It’s when the vulnerable woman then asks if he’d like to acquire her services that internally he surely creams his y-fronts. 

“There is no substance, only spectacle”

While programme makers have become slightly less terrible at it over the years — the trend has been towards more sympathetic and less judgemental portrayals of the poor and vulnerable — poverty porn nonetheless retains its essentially exploitative quality wherever it is found. Right now, somewhere on the streets of the UK, you can be sure that a troupe of media twats is rolling up on a housing estate somewhere to point three cameras at a wall-mounted ashtray filled with pregnancy tests, as they wait patiently in their warm rented cars for something vaguely dodgy to occur — all so they can capture it for Bafta’s consideration.  

The story that is rarely told is the one about how resilient these communities are in the face of their economic immiseration. Not a half-brick’s throw away from every boarded-up high street, every abandoned building, and every burnt-out playpark with commemorative flowers tied to rusted fences, people face their hardships with courage, grace and humour. The single mother applies to go to university, having escaped an abusive male partner. The homeless person attends a mutual-aid group for men with mental health problems, drawing from a deep reservoir of psychosocial support provided by unpaid volunteers, and begins making amends for his transgressions. The traumatised addict keeps turning up at the chemist every morning despite the prejudice and judgement he faces, until one day, his methadone is dispensed for the last time, and he is finally free from the nightmare of addiction.  

Sadly, these are stories that require time, money, insight, and compassion to tell. An accidental satire of the exploitative genre it so desperately attempts to emulate, Rich’s documentary gets repetitive so quickly because we’ve seen this smut so many times before that the spectacle simply fails to rouse us the way it once did. 


Darren McGarvey is a Scottish hip hop artist and social commentator. In 2018, his book Poverty Safari won the Orwell Prize and his new book The Social Distance Between Us (Ebury Press) is out on 16th June.

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Roger Inkpen
Roger Inkpen
8 months ago

As a long time ‘sub’, I watched Bald’s video last week. Yes, it made me cringe, especially when the woman offered him a quickie. And it’s clear that, although he is sympathetic to people wherever he goes in the world, he was concerned that a major shopping street in Birmingham has been taken over by ethnic minority businesses.
But I have to argue with Darren’s view that everything needs some kind of contextualisation. We can see with our own eyes. We can make our own judgements. We don’t need someone with inevitable biases to tell us what to think.
As Darren notes, B+B has travelled around the world documenting the plight of marginalised people, especially those in the post Soviet republics who believe they were better off in the good old days. Is he supposed to offer a solution to their concerns – or should we just look after our own?

Dan Croitoru
Dan Croitoru
8 months ago
Reply to  Roger Inkpen

Oh Gosh! is documenting “the plight of marginalized” people 🙂 Nope, the toothless alcoholics and drug addicts are not kind souls but most probably scoundrels. And B&B rather than dragging himself from bar to bar to forget something that makes him feel very guilty (probably him being very mean to someone) he jumps from country to country looking to “borrow” the kindness of the bums. So no it’s not “capitalism” but B&B and his triggered critics – The more the world changes, the more it stays the same.

Andrew H
Andrew H
8 months ago

An excellent article overall. Having initially eviscerated Bald and Bankrupt’s recent videos on Britain’s dilapidated town centres for their superficiality, I was pleased to see the author highlighting Bald’s genuine warmth and desire to meet people, as demonstrated throughout his countless videos from all over the world.
His recent videos on Plymouth, Weston-Super-Mare and Birmingham do indeed lack analysis, depth and context, but to a large degree I think this has more to do with his own personal approach than any specific fascination with poverty per se. To my knowledge he has spent decades mainly outside the UK and now that he’s back he is genuinely shocked at the dilapidated state of so many towns and cities in the UK. Does he go into the reasons why? No indeed. And the “offered business on Britain’s worst street” is pure clickbait, I agree.
However, when Bald travelled around deeply authoritarian Belarus a few years ago I remember being fascinated at this insight into a country few westerners see and impressed by the way he built up a genuine rapport with the locals, but somewhat mystified by his failure to provide any comment whatsoever on the political context. On the whole, this is just what you get from his channel, although the videos on his migrant journey on foot through the Darien Gap en route to the US are quite different in both tone and content. Anyway, excellent stuff from Darren again.

Mike Downing
Mike Downing
8 months ago

There’s a whole host of these on YouTube; t**d towns, the worst town in Britain etc. IPhones and the Internet mean anyone can now be a ‘content creator ‘.

But predictably, there is no guarantee to quality of content or approach towards the subject matter.

Much the same applies to pornography, the bulk of which is now uploaded by ‘private’ individuals to often hilarious effect.

But in both spheres, you occasionally get something truly different which would never have made it past a content moderator. And there are lots of genuinely thought-provoking creators out there; you just have to sort out the gems from the dross.

Chris Amies
Chris Amies
8 months ago
Reply to  Mike Downing

I did happen across one who had a genuinely sympathetic approach for the residents of towns that have fallen victim to a decade or more of basically no investment, but he’s outnumbered by the ‘look how shit this place is’ lot. I’ve given up on YouTube now.

Mark Gilmour
Mark Gilmour
8 months ago
Reply to  Mike Downing

Sadly the famous self deprecation of the Brits has all to often transformed into a kind of performative self loathing. This seems to have worsened since the Brexit vote. It’s like a kind of competition to show Britain in the worst possible light.

Ruthven sweet
Ruthven sweet
8 months ago

Is Bald and Bankrupt a journalist? Or is he just a bloke with a phone, a stick and a YouTube account? His work would be far less compelling if he called himself a ‘journalist’. The minute he believes he should be doing some sort of social commentary is the minute everybody loses interest. People are sick of others telling them how things are, in their own self-absorbed, backslapping words. Show, don’t tell. Bald and Bankrupt does this well. We don’t need him to affect faux-concern for the toothless, feckless simpletons of Britain’s streets. Then he just becomes another posh wanker. Continue with your warmth Baldy. Most people love the fleeting interactions and at times condescension towards these people. At least we know it’s real.

tom j
tom j
8 months ago
Reply to  Ruthven sweet

Yeah totally agree. The crass hip hop guy has gone big attacking a video blogger for not having the answers to Britain’s post industrial decline.

Ian Johnston
Ian Johnston
8 months ago
Reply to  Ruthven sweet

I had exactly the same thoughts whilst reading the (far too long) article.
I’ve seen many of B&B’s Soviet videos and he’s got millions of subscribers not because he’s peddling poverty porn. He’s giving people a genuine and unaffected view into the lives of others. And he does this in an entertaining, genuinely curious and empathetic way.
His point about beautiful but rotting Victorian buildings is as well-made as it is a damning indictment of us – the inheritors of this investment. We don’t care, society doesn’t care. It seems that at least B&B does.

T M Murray
T M Murray
8 months ago

Loki’s writing is razor sharp in deconstructing the exploitative hypocrisy of the MSM’s little entertainment programs and how they deftly sidestep any analysis of the subjects they so love to fetishise. His comic flourishes had be rolling. More from Loki please!

Geoffrey Kolbe
Geoffrey Kolbe
8 months ago

“…prints of Eighties kids with rickets playing at the foot of boarded up tenements, in the UK…”
Are we talking about the 1880s? The 1980s was a low point of rickets in the UK

Matt M
Matt M
8 months ago
Reply to  Geoffrey Kolbe

I was wondering that too. I don’t remember anyone with rickets in the 1980s.

Simon Boudewijn
Simon Boudewijn
8 months ago
Reply to  Geoffrey Kolbe

This has to be a all time new low for Unherd.

Poverty Porn???????????????????????

The Nation is sliding into utter destruction – it sits on the tipping point – and this social justice guy thinks showing this is wrong? He thinks truth is porn? I read his list of explanations for this mess and never had anyone missed the point more.

This is a Wake Up Call! This is proof of two things – one is the Social Justice Industry is largely to blame for this destruction of the old working class – the second is the Governments of the West, the Uniparties, as it were, are out to concentrate All wealth into the hands of the ultra rich and powerful and this is the fruits of their policies – (and he skips the warning that you Middle Class Sheep are next)

This writer – what are his credentials? I know mine, and they are very large – I have been down with the people like this, back when they were pockets instead of taking over the lands. I know the pathologies which creates the above. They are just as shown, and the SJW pandering to the pathologies has been why they have exploded – and if this writer cares to open his eyes try reading this book below –

Life at the Bottom: The Worldview That Makes the Underclass Paperback – March 8, 2003by Theodore Dalrymple (Author)
4.6 4.6 out of 5 stars 1,825 ratings
Here is a searing account-probably the best yet published-of life in the underclass and why it persists as it does. Theodore Dalrymple, a British psychiatrist who treats the poor in a slum hospital and a prison in England, has seemingly seen it all. Yet in listening to and observing his patients, he is continually astonished by the latest twist of depravity that exceeds even his own considerable experience. Dalrymple’s key insight in Life at the Bottom is that long-term poverty is caused not by economics but by a dysfunctional set of values, one that is continually reinforced by an elite culture searching for victims. This culture persuades those at the bottom that they have no responsibility for their actions and are not the molders of their own lives. Drawn from the pages of the cutting-edge political and cultural quarterly City Journal, Dalrymple’s book draws upon scores of eye-opening, true-life vignettes that are by turns hilariously funny, chillingly horrifying, and all too revealing-sometimes all at once. And Dalrymple writes in prose that transcends journalism and achieves the quality of literature.”

Jae
Jae
8 months ago
Reply to  Geoffrey Kolbe

Exactly.

Howard S.
Howard S.
8 months ago

“Bald”, as we internet addicts know him, is an internet treasure. His travels through India, Russia, and the former Soviet ‘stans in Central Asia are simply marvelous. As for poverty, every society has its poor. And those who want to rise above their station in life. I remember some years back a video about a Muslim woman in an Indian slum neighborhood who started her own trash recycling business, on her own, with her husband just looking on, and eventually grew it into a business employing several dozen men from her neighborhood and encompassing three large warehouses. And her saying that her proudest accomplishment was being able to install an indoor toilet in her dwelling so that her daughters did not have to go to the dangerous public toilets anymore. Poverty is a state of mind. No one forces you to drink, do drugs, keep popping out fatherless offspring, or live a dissolute life.

UnHerd Reader
UnHerd Reader
8 months ago
Reply to  Howard S.

Poverty is a state of mind? As if 20 ppl upvoted this.

Clare Knight
Clare Knight
8 months ago
Reply to  UnHerd Reader

I don’t quite get that, Unherd. “As if 20 ppl upvoted this”. Well 26 ppl upvoted it so far which I find alarming, but I can’t figure out if you find it alarming, also.

Dr Illbit
Dr Illbit
8 months ago
Reply to  Clare Knight

Evidently my relentless millennial irony was my undoing. I meant to express incredulity at the fact so many unherders agree that poverty is a state of mind.

Howard S.
Howard S.
8 months ago

Spiro Agnew, a former (disgraced) American Vice-President did say one thing that rang true then and still does today: “Once you’ve seen one slum, you’ve seen them all”.

Jerry Carroll
Jerry Carroll
8 months ago
Reply to  Howard S.

That was Reagan talking about Redwood trees.

Allison Barrows
Allison Barrows
8 months ago

“Cum-shots”. “Cream his y-fronts”. A hip hop guy tut tutting the insensitivities of “smut”.

AJ Mac
AJ Mac
8 months ago

In full agreement with you on Loki’s obscene hypocrisy.

UnHerd Reader
UnHerd Reader
8 months ago

Loki?

recently

mike otter
mike otter
8 months ago

I enjoyed this despite too much palare di cazzi if you will. Also redacting the place names would bolster a critique of poverty porn, naming them looks like the writers doing it too – albeit last in the line at the gang bang. IMO there’s a main pair of symptoms in waveform hitting each other to create a rip-tide: “nostalgie de bou” (SP? IKFE what pedants you unherders are!) meeting a wave of leftist hysteria. The former works with the realitive “wealth” of UK poor as well as the true poor in Haiti, Peru, Bangla etc. The latter only works with the faux poor – (¿dia de pologloto. eh?). The true poor are too poor to work in porn – they are the bush hookers and if they are lucky they get a plastic chair in the shade when its their turn to show their wares to the passers by. Ppl like the bbc, lewis, and whoever the article focusses on, yemak shmoy, should be deported, penniless, to Caracas or Port Au Prince. That’ll learn ’em.

mike otter
mike otter
8 months ago

Well he clearly lives by rumour (eg Britain is a poor country) so let him be judged by his own standards. I upvote purely for this reason – looking at stats its 99.99% likely he is not a sex pest BUT he is def a shit stirring, trauma-olympics voyeurish wierdo and i dare him to come round here and slag off our neighbourhood.

Alex Lekas
Alex Lekas
8 months ago

The truth is poverty porn is big business.
So is poverty itself, particularly the pretense of doing something about it. In the US, we have a massive poverty-industrial complex that includes roughly 100 programs at the federal level alone. Which ones work? Don’t know. Which do not work? Don’t know that either. Which duplicate others? Same answer and why are you asking such impertinent questions?
This industry is designed to perpetuate poverty, not reduce it. If it were reduced, then some of those 100+ programs would have to go away. Think of the poor bureaucrats would be displaced and forced to find meaningful work. Every one of those programs and the people in them have an incentive to NOT reduce poverty. Their survival depends on it.

Bret Larson
Bret Larson
8 months ago
Reply to  Alex Lekas

Governments love their victims.

Vesselina Zaitzeva
Vesselina Zaitzeva
8 months ago
Reply to  Bret Larson

That’s a great observation, really

Steve Jolly
Steve Jolly
8 months ago
Reply to  Alex Lekas

Indeed, the same goes for the race crusaders. They can’t actually end racism and the smart ones know it, but they can gain profit, status, fame, and votes from pretending they can and spend so much taxpayer money on it that it creates an almost self-sustaining ecosystem of race based policies, ideology, programs, etc..

Jerry Carroll
Jerry Carroll
8 months ago
Reply to  Alex Lekas

The last time I checked the US had spent $22 trillion on what began as the War on Poverty under the LBJ administration. That was years ago, so the total is far higher now.

Richard Craven
Richard Craven
8 months ago

testing

Gordon Black
Gordon Black
8 months ago
Reply to  Richard Craven

Me too.

Arthur King
Arthur King
8 months ago

The well-off dehumanize the poor so they can shirk their responsibility in building a better society. Instead of mocking these people, civic minded people would be thinking about how we can elevate these people in order to increase overall prosperity.

David Collier
David Collier
8 months ago

Ben Rich (Bald and Bankrupt) has a worldwide following. On my travels I so often hear people talking about how they watch and enjoy his videos on YouTube, people from many different countries.
Had he done wants Darren wishes he had, i.e. focused on the self-help and self-reliance of communities where people have little material wealth, which unquestionably exists in spades, would that have done anything at all to counteract poverty porn? My intuition is that it would exacerbate it.
Ben Rich tends not to get into social solutions, which given where he’s reported from is very wise. If Darren wants to make a YouTube vlog, I’m sure Ben would advise him on how best to hold a GoPro.
Money where yer mouth is mate! Grumbling never does nuffin!

Chuck Burns
Chuck Burns
8 months ago

Hip Hop “artist” provides social commentary. I thought the article was well written and was surprised that it was written by a Hip Hop artist. I guess my bias is showing. I am an American living in the United States. I don’t always agree with Bald and Bankrupts politics but I for one appreciate his mini “documentaries”. This one in particular strikes a tender spot because I never realized how far the Leftist politicians and globalists, with their out of control immigration, have drug the UK into utter despair. It is just a matter of time before the replacement strategy, along with a declining birth rate, turns the indigenous Brits into a minority on a path to extinction.

Clare Knight
Clare Knight
8 months ago
Reply to  Chuck Burns

Your US grammar is showing. Have “drug” should be have dragged.

AJ Mac
AJ Mac
8 months ago
Reply to  Clare Knight

Haven’t you gotten over such quibbles yet?
*Of course if prejudicial preferences or punctilious pedantry were felonies I’d be hung out to dry, or even hanged.

Chris Amies
Chris Amies
8 months ago
Reply to  Chuck Burns

It’s the near total lack of investment in public services and infrastructure – at least outside London – for a decade that’s done it. Not immigration.

Basil Schmitt
Basil Schmitt
8 months ago

I remember reading about this a few years ago on Reddit. His forays into the former USSR are apparently sexual tourism to tap into something like “the last fresh supply of white women”, and the vlogs are just something he tacks into it. There was a lot of documentation on it, it’s the first thing I recalled when I saw B&B mentioned here.

Eleanor Barlow
Eleanor Barlow
8 months ago

I never watch programmes about poverty. They are always devised and run by people who have had no personal experience of poverty, so however well-meaning they are, the programmes come across as middle class do-gooders dabbling in the lives of their inferiors. They also remind me too much of the time when I was employed as an advice worker by a mental health charity. There, I saw more than enough poverty and misery every day of my working life. There were some uplifting moments, but not many. And in the background, the DWP was a malign presence in the lives of our clients with its casual cruelty towards those who were unfortunate enough to have to claim state benefits.

UnHerd Reader
UnHerd Reader
8 months ago
Reply to  Eleanor Barlow

Great succint post

Mustard Clementine
Mustard Clementine
8 months ago

Bald tends to portray people and places just as they are, without delving too much into their past or potential improvements.
It seems that while the author finds this approach interesting when applied to places other people live, he didn’t appreciate the same reflective scrutiny directed at his own surroundings.
Moreover, his expectations for an indie travel vlog may have been a bit too high – it’s not a “film” or “documentary”, and shouldn’t be evaluated as such.
It is what it is, in terms of both the vlog itself and the realities it captures.

Albireo Double
Albireo Double
8 months ago

Governments and civil servants rely on problems or crises, because otherwise what is the point of them?

The last thing they want is a problem that can be solved, because then they have to find a new problem. Ideally, they want an insoluble problem.

The NHS is a good example of a problem that can never be solved and can always be claimed to require government intervention in the attempt to solve it.

“Poverty” is just more of the same. Displacement activity for people whose lives would otherwise be empty, and whose “work” would otherwise not exist.

Albireo Double
Albireo Double
8 months ago

The author wants “context and analysis”. But only, one suspects, that of an agreeably modish and Left wing flavour.

He seems well disposed to the concepts of self-reliance and fortitude, but rather less so, to the opposite traits of fecklessness and idleness. You can’t really lionise one and seek to deny the other as “unkind or unfair”. They come as a package.

Dillon Eliassen
Dillon Eliassen
8 months ago

Jeez, did the writer have to convey these points in such a gross way? LOL

AJ Mac
AJ Mac
8 months ago

I think “Loki” McGarvey actually has a little something to say, but is still caught up in the punk/hip-hop attitude exemplified by his picture above. I listened to some of his rap act on YouTube for a few minutes just now. Reminds me of his contributions to UnHerd in a way: hints of a message drowned out by harsh noise. I was gonna guess that he’d calm down and get less rude with age, but he turned/turns 40 this year, so maybe not.
I’d estimate that he means well, but he’s angry and a bit mean. I know first hand that good intentions wrapped in anger and self-importance don’t pave good roads, nor reach the ears you’re shouting at, at least in the way you hope.
When I grow up, I hope to stop confusing passion and intellect with goodness or wisdom. I could stand to quit using such insight as I seem to have as a license to judge and condemn others, sometimes at little more than a glance. And to be less impressed by the eloquent rage or posturing of other wayward seekers. Pretty sure I’m not alone on that.
I’ve cut down on meanness and rage in my middle age, so as long as life is at least 200 years long I’ll–wait what?

UnHerd Reader
UnHerd Reader
8 months ago

The wider left/liberal left has largely abandoned the poor, etc, I can’t think when the last national rally/march on economic inequality/poverty was, huge amount on global issues though.

jane baker
jane baker
8 months ago

I’ve just read this mans book Poverty Safari. He certainly knows first hand about life as a poor person. But his ending remarks about how the poor support and care for each other. No,I don’t think so.

Jae
Jae
8 months ago

To me the author sounds quite green-eyed about Bald and Bankrupt. I’ve only watched B&B once or twice, never thought he was about solving society’s ills. It’s quite an odd observation from ‘Loki’.

Jae
Jae
8 months ago

Poverty comes in all shapes and sizes, one size does not fit all. But there is one common denominator in certain people who wallow in poverty and that’s a poverty of spirit.

Andrew Fisher
Andrew Fisher
8 months ago

The problem with “contextualising” the situation of poverty in the UK is that 95% of the people who might do that – including Darren McGarvey would get the analysis fundamentally wrong! Let’s “invest” more they say. ie spend yet more government money on ineffective solutions, no doubt generating some more jobs in a mediocre public sector bureaucracy.

Britain is not a low tax country. We have desperately low productivity. As a matter of fact, the rail system is now to all extent and purposes nationalised – and costs taxpayers a fortune. (Darren McGarvey would have been better talking about patchy and declining bus services which are far more relevant to most people. By the way, the government is now heavily subsidising those with a two-pound maximum fare). Most fundamentally, we have inherited an unusually unbalanced post industrial economic geographic.

And it does happen to be true that we have huge numbers of vacancies, but at the same time millions of people economically idle and claiming benefits, many of them on grounds of mental illness health. We can both be sympathetic with people undergoing hard times, while also aware of some of the hard truths of the situation.

There is no magic wand. Government isn’t on its own going to be able to solve these problems, or at least it needs to act far more competently and sometimes even get out of the way. We need jobs to be available but people to be available for the jobs as well. This might not be everything, but it is a fundamental foundation for any improvement.

Dan Croitoru
Dan Croitoru
8 months ago

Typical article by and for puer aeternus, the typical author and reader for/of UnHeard. One day he sees a film, the other a YT video which pushes his “identification” buttons – sometimes the strong identification causes him a hangover other times not. Hence he needs to write down his thoughts.

Felix Hornoiu
Felix Hornoiu
8 months ago

I used to watch Bald a while ago as kind of a segway after years of Jeremy Clarkson’s Top Gear, inspiring the same cheap attitude but with a more exotic nudge. Soon after, I realised the emptiness and the lack of values he portrayed in his videos, nothing to contribute and help change the disarray he filmed, like trying to hope nothing changes to have content for the future.