Is pig farming for the chop? (Carsten Koall/Getty Images)

France is in flames. Israel is erupting. America is facing a second January 6. In the Netherlands, however, the political establishment is reeling from an entirely different type of protest — one that, perhaps more than any other raging today, threatens to destabilise the global order. The victory of the Farmer-Citizen Movement (BBB) in the recent provincial elections represents an extraordinary result for an anti-establishment party that was formed just over three years ago. But then again, these are not ordinary times.
The BBB grew out of the mass demonstrations against the Dutch government’s proposal to cut nitrogen emissions by 50% in the country’s farming sector by 2030 — a target designed to comply with the European Union’s emission-reduction rules. While large farming companies have the means to meet these goals — by using less nitrogen fertiliser and reducing the number of their livestock — smaller, often family-owned farms would be forced to sell or shutter. Indeed, according to a heavily redacted European Commission document, this is precisely the strategy’s goal: “extensifying agriculture, notably through buying out or terminating farms, with the aim of reducing livestock”; this would “first be on a voluntary basis, but mandatory buyout is not excluded if necessary”.
It is no surprise, then, that the plans sparked massive protests by farmers, who see it as a direct attack on their livelihoods, or that the BBB’s slogan — “No Farms, No Food” — clearly resonated with voters. But aside from concerns about the impact of the measure on the country’s food security, and on a centuries-old rural way of life integral to Dutch national identity, the rationale behind this drastic measure is also questionable. Agriculture currently accounts for almost half of the country’s output of carbon dioxide, yet the Netherlands is responsible for less than 0.4% of the world’s emissions. No wonder many Dutch fail to see how such negligible returns justify the complete overhaul of the country’s farming sector, which is already considered one of the most sustainable in the world: over the past two decades, water dependence for key crops has been reduced by as much as 90%, and the use of chemical pesticides in greenhouses has been almost completely eliminated.
Farmers also point out that the consequences of the nitrogen cut would extend well beyond the Netherlands. The country, after all, is Europe’s largest exporter of meat and the second-largest agricultural exporter in the world, just behind the United States — in other words, the plan would cause food exports to collapse at a time when the world is already facing a food and resource shortage. We already know what this might look like. A similar ban on nitrogen fertiliser was conducted in Sri Lanka last year, with disastrous consequences: it caused an artificial food shortage that plunged nearly two million Sri Lankans into poverty, leading to an uprising that toppled the government.
Given the irrational nature of the policy, many protesting farmers believe it can’t simply be blamed on the urbanite “green elites” currently running the Dutch government. They suggest one of the underlying reasons for the move is to squeeze small farmers from the market, allowing them to be bought out by multinational agribusiness giants who recognise the immense value of the country’s land — not only is it highly fertile, but it is also strategically located with easy access to the north Atlantic coast (Rotterdam is the largest port in Europe). They also point out that prime minister Rutte is an Agenda Contributor of the World Economic Forum, which is well known for being corporate-driven, while his finance minister and Minister of Social Affairs and Employment are also tied to the body.
The struggle playing out in the Netherlands would seem to be part of a much bigger game that seeks to “reset” the international food system. Similar measures are currently being introduced or considered in several other European countries, including Belgium, Germany, Ireland and Britain (where the Government is encouraging traditional farmers to leave the industry to free up land for new “sustainable” farmers). As the second-largest contributor to greenhouse gas emissions, after the energy sector, agriculture has naturally ended up in the crosshairs of Net Zero advocates — that is, virtually all major international and global organisations. The solution, we are told, is “sustainable agriculture” — one of the UN’s 17 Sustainable Development Goals (SDGs), which form their “Agenda 2030”.
This issue has now been pushed to the top of the global agenda. Last November’s G20 meeting in Bali called for “an accelerated transformation towards sustainable and resilient agriculture and food systems and supply chains” to “ensure that food systems better contribute to adaptation and mitigation to climate change”. Just a few days later, in Egypt, the COP27 annual Green Agenda Climate Summit launched its initiative aimed at promoting “a shift towards sustainable, climate-resilient, healthy diets”. Within a year, its Food and Agriculture Organization aims to launch a “roadmap” for reducing greenhouse emissions in the agricultural sector.
The endgame is hinted at in several other UN documents: reducing nitrogen use and global livestock production, lowering meat consumption, and promoting more “sustainable” sources of protein, such as plant-based or lab-grown products, and even insects. The United Nations Environment Programme, for example, has stated that global meat and dairy consumption must be reduced by 50% by 2050. Other international and multilateral organisation have presented their own plans for transforming the global food system. The EU’s Farm to Fork strategy “aims to accelerate our transition to a sustainable food system”. Meanwhile, the World Bank, in its climate change action plan for 2021-2025, says that 35% of the bank’s total funding during this period will be devoted to transforming agriculture and other key systems to deal with climate change.
Alongside these intergovernmental and multilateral bodies, a vast network of “stakeholders” is now devoted to the “greening” of agriculture and food production — private foundations, public-private partnerships, NGOs and corporations. Reset the Table, a 2020 Rockefeller Foundation report, called for moving away from a “focus on maximising shareholder returns” to “a more equitable system focused on fair returns and benefits to all stakeholders”. This may sound like a good idea, until one considers that “stakeholder capitalism” is a concept heavily promoted by the World Economic Forum, which represents the interests of the largest and most powerful corporations on the planet.
The Rockefeller Foundation has very close ties to the WEF, which is itself encouraging farmers to embrace “climate-smart” methods in order to make the “transition to net-zero, nature-positive food systems by 2030”. The WEF is also a big believer in the need to drastically reduce cattle farming and meat consumption and switch to “alternative proteins”.
Arguably the most influential public-private organisation specifically “dedicated to transforming our global food system” is the EAT-Lancet Commission, which is largely modelled around the Davos “multistakeholderist” approach. This is based on the premise that global policymaking should be shaped by a wide range of unelected “stakeholders”, such as academic institutions and multinational corporations, working hand-in-glove with governments. This network, cofounded by the Wellcome Trust, consists of UN agencies, world-leading universities, and corporations such as Google and Nestlé. EAT’s founder and president, Gunhild Stordalen, a Norwegian philanthropist who is married to one of the country’s richest men, has described her intention to organise a “Davos for food”.
EAT’s work was initially supported by the World Health Organization, but in 2019 the WHO withdrew its endorsement after Gian Lorenzo Cornado, Italy’s ambassador and permanent representative to the UN in Geneva, questioned the scientific basis for the dietary regime being pushed by EAT — which is focused on promoting plant-based foods and excluding meat and other animal-based foods. Cornado argued that “a standard diet for the whole planet” that ignores age, sex, health and eating habits “has no scientific justification at all” and “would mean the destruction of millenary healthy traditional diets which are a full part of the cultural heritage and social harmony in many nations”.
Perhaps more important, said Cornado, is the fact that the dietary regime advised by the commission “is also nutritionally deficient and therefore dangerous to human health” and “would certainly lead to economic depression, especially in developing countries”. He also raised concerns that “the total or nearly total elimination of foods of animal origin” would destroy cattle farming and many other activities related to the production of meat and dairy products. Despite these concerns, raised by a leading member of the world’s top public health body and shared by a network representing 200 million small-scale farmers in 81 countries, EAT continues to play a central role in the global push for the radical transformation of food systems. At the 2021 United Nations Food Systems Summit, which originated from a partnership between the WEF and the UN Secretary-General, Stordalen was given a leading role.
This complete blurring of the boundaries between the public and the private-corporate spheres in the agricultural and food sectors is also happening in other areas — with Bill Gates standing somewhere in the middle. Alongside healthcare, agriculture is the main focus of the Bill and Melinda Gates Foundation, which finances several initiatives whose stated aim is to increase food security and promote sustainable farming, such as Gates Ag One, CGIAR and the Alliance for a Green Revolution in Africa. Civil society organisations, however, have accused the Foundation of using its influence to promote multinational corporate interests in the Global South and to push for ineffective (but very profitable) high-tech solutions which have largely failed to increase global food production. Nor are Gates’s “sustainable” agricultural activities limited to developing countries. As well as investing in plant-based protein companies, such as Beyond Meat and Impossible Foods, Gates has been buying huge amounts of farmland in the US, to the point of becoming the biggest private owner of farmland in the country.
The problem with the globalist trend he embodies is obvious: ultimately, small and medium-scale farming is more sustainable than large-scale industrial farming, as it is typically associated with greater biodiversity and the protection of landscape features. Small farms also provide a whole range of other public goods: they help to maintain lively rural and remote areas, preserve regional identities, and offer employment in regions with fewer job opportunities. But most importantly, small farms feed the world. A 2017 study found that the “peasant food web” — the diverse network of small-scale producers disconnected from Big Agriculture — feeds more than half of the world’s population using only 25% of the world’s agricultural resources.
Traditional farming, though, is suffering an unprecedented attack. Small and medium-scale farmers are being subjected to social and economic conditions in which they simply cannot survive. Peasant farms are disappearing at an alarming rate across Europe and other regions, to the benefit of the world’s food oligarchs — and all this is being done in the name of sustainability. At a time when almost a billion people around the world are still affected by hunger, the lesson of the Dutch farmers could not be more urgent, or inspiring. For now, at least, there is still time to resist the Great Food Reset.
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SubscribeWith the advent of internet radio I have recently re-found seventies music and came to the conclusion that it is by far the best era for songwriting and musical talent. Yes Steely Dan, Fleetwood Mac, Pink Floyd, Led Zeppelin, but also other bands I didn’t really listen to before like Creedence, Nazareth and Iron Butterfly. And many more of course.
The 70’s was my era. When iTunes came along and the wife and I were able to search and download all those old favourites we were in 7th heaven for weeks.
I knew Clapton well, and spent John Bonhams last 2 weeks alive with him in St Jean Cap Ferrat- he was planning to leave Led Zepplin and had a place at Harpur Adams agricultural college, to pursue his dream of farming: the PR machine never ever let this out.
The 70’s was my era. When iTunes came along and the wife and I were able to search and download all those old favourites we were in 7th heaven for weeks.
I knew Clapton well, and spent John Bonhams last 2 weeks alive with him in St Jean Cap Ferrat- he was planning to leave Led Zepplin and had a place at Harpur Adams agricultural college, to pursue his dream of farming: the PR machine never ever let this out.
With the advent of internet radio I have recently re-found seventies music and came to the conclusion that it is by far the best era for songwriting and musical talent. Yes Steely Dan, Fleetwood Mac, Pink Floyd, Led Zeppelin, but also other bands I didn’t really listen to before like Creedence, Nazareth and Iron Butterfly. And many more of course.
The Kinks are much more ‘post-liberal’, and a few years before Steely Dan
“Girls will be boys and boys will be girls
It’s a mixed up, muddled up, shook up world”
Much as I admire David and Ray, not in the same class…
Much as I love Steely Dan, I have to disagree. The brothers Davies deeply appreciated the working-class London that formed them. No one else had the insight or conviction to swim against the tide at the height of the ‘Counter Culture’, What the Kinks produced in that era has stood the test of time far better than most of their peers. Similarly, Becker and Fagen were smart enough to subtly expose the reality of the hippie dream by a holding a mirror up to it. The only other artist in the US at the time brave enough to call out hippie culture was a young Jonathan Richman – just listen to “I’m Straight” which he recorded in 1971 and you’ll want to shout for joy.
Much as I love Steely Dan, I have to disagree. The brothers Davies deeply appreciated the working-class London that formed them. No one else had the insight or conviction to swim against the tide at the height of the ‘Counter Culture’, What the Kinks produced in that era has stood the test of time far better than most of their peers. Similarly, Becker and Fagen were smart enough to subtly expose the reality of the hippie dream by a holding a mirror up to it. The only other artist in the US at the time brave enough to call out hippie culture was a young Jonathan Richman – just listen to “I’m Straight” which he recorded in 1971 and you’ll want to shout for joy.
“Girls will be boys and boys will be girls
It’s a mixed up, muddled up, shook up world”
Much as I admire David and Ray, not in the same class…
The Kinks are much more ‘post-liberal’, and a few years before Steely Dan
One might also mention Donald Fagen’s first solo album “The Nightfly” (1982), a Boomer’s teenage years in the early 1960’s U.S. ‘burbs.
More than mention: Laude, Venerate, Study, Lionize…
More than mention: Laude, Venerate, Study, Lionize…
One might also mention Donald Fagen’s first solo album “The Nightfly” (1982), a Boomer’s teenage years in the early 1960’s U.S. ‘burbs.
Steely Dan were an extraordinarily talented, skilled and creative band, so relatively unknown as, unlike now, it was an era of an art form that one day will be recognised alongside the great 19th century classics, and just packed with superb talent.. composing, playing, arranging and recording
Steely Dan were an extraordinarily talented, skilled and creative band, so relatively unknown as, unlike now, it was an era of an art form that one day will be recognised alongside the great 19th century classics, and just packed with superb talent.. composing, playing, arranging and recording
I think The Eagles are due for similar treatment among the younger generation. I happened to hear Don Henley’s “The End of the Innocence” the other day (co-written by Bruce Hornsby), and wow, it sounded so appropriate for our times. IMHO the second verse is a shockingly accurate description of Biden.
As a 1980s former music journalist, it’s honestly difficult to imagine most of the pop/rock/rap of today being listened to for anything more than nostalgia purposes in the future; evaluated purely on the merits it’s nothing to write home about (whence the use of sampling — a great way to capitalize on a talent greater than one’s own).
At the risk of making myself sound like my dad when confronted with the Stones et al, today’s current music pales into insignificance when compared to the sheer talent, originality and vivacity of the output in the 60s/70s/80s
It’s as if any genre can only be young once, and that was its youth. Listening (which i avoid when possible) to the droning of Ed Sheerin and the high-pitched whining of endless female vocalists is akin to watching the middle-aged trying to dance like they once did – simply embarrassing.
At the risk of making myself sound like my dad when confronted with the Stones et al, today’s current music pales into insignificance when compared to the sheer talent, originality and vivacity of the output in the 60s/70s/80s
It’s as if any genre can only be young once, and that was its youth. Listening (which i avoid when possible) to the droning of Ed Sheerin and the high-pitched whining of endless female vocalists is akin to watching the middle-aged trying to dance like they once did – simply embarrassing.
I think The Eagles are due for similar treatment among the younger generation. I happened to hear Don Henley’s “The End of the Innocence” the other day (co-written by Bruce Hornsby), and wow, it sounded so appropriate for our times. IMHO the second verse is a shockingly accurate description of Biden.
As a 1980s former music journalist, it’s honestly difficult to imagine most of the pop/rock/rap of today being listened to for anything more than nostalgia purposes in the future; evaluated purely on the merits it’s nothing to write home about (whence the use of sampling — a great way to capitalize on a talent greater than one’s own).
The CD reissues also have very amusing liner notes from WB & DF.
The CD reissues also have very amusing liner notes from WB & DF.
Steely Dan – Unkempt curmudgeons that they are/ were are responsible for some of the finest sound ever recorded (and by that I mean Asia)…
While their stick does not have the emotional resonance of a Mitchell or the unbridled glowing brilliance of a Hendrix, Coltrane, or Prince the sound is the finest ever to eminent from a pair of decent speakers…
Steely Dan – Unkempt curmudgeons that they are/ were are responsible for some of the finest sound ever recorded (and by that I mean Asia)…
While their stick does not have the emotional resonance of a Mitchell or the unbridled glowing brilliance of a Hendrix, Coltrane, or Prince the sound is the finest ever to eminent from a pair of decent speakers…
So does all this mean that Radiohead is chopped liver?
So does all this mean that Radiohead is chopped liver?
What put an end to it? By that I mean the 1970s music we liked so much? Rap? As even Jordan Peterson likes to point out, “rap” charmed the world. Why did that happen? Why did we abandon Steele Dan for, say, Eminem or Snoop Dog? Does the arch of music bend from Palestrina to 50 cent?
What put an end to it? By that I mean the 1970s music we liked so much? Rap? As even Jordan Peterson likes to point out, “rap” charmed the world. Why did that happen? Why did we abandon Steele Dan for, say, Eminem or Snoop Dog? Does the arch of music bend from Palestrina to 50 cent?
Nothing is inevitable but the resurgence of interest in SD has an undeniable logic. They produced the definitive chronicle of a ‘tectonic’ cultural shift in the 70s, as the possibilities imagined in the cloudy haze of the hippie/beat scene collided with the sordid, sleazy reality of abuse and dependency, accompanied by the dangers introduced with the ‘professionalization’ of the drug trade by cartels and their ‘distributors’. To be fair, SD have maintained a pretty steady cult following, which pores obsessively over lyrics for oblique drug allusions, clues to the identities (or plights) of their cast of shady characters, and even for evidence of substance-fueled inspiration, like the exuberance of tracks like Bodhisattva. Timing is everything, and they hit their creative stride at exactly the point when the music industry controlled the resources to underwrite unlimited studio time with elite musicians until SD had transferred their internal soundscapes onto tapes. The cynical brilliance of scoring their wry, dyspeptic vignettes with exquisitely complex melodies and arrangements also produced no end of hilariously ironic effects, from their treatment as ‘yacht rock’, placed in regular rotation on ‘soft rock’ stations, to their role in introducing the general public to slang for smoking heroin. With cultural malaise now playing out as civilizational decline, SD’s jaded misanthropic take seems more relevant than ever.
Nothing is inevitable but the resurgence of interest in SD has an undeniable logic. They produced the definitive chronicle of a ‘tectonic’ cultural shift in the 70s, as the possibilities imagined in the cloudy haze of the hippie/beat scene collided with the sordid, sleazy reality of abuse and dependency, accompanied by the dangers introduced with the ‘professionalization’ of the drug trade by cartels and their ‘distributors’. To be fair, SD have maintained a pretty steady cult following, which pores obsessively over lyrics for oblique drug allusions, clues to the identities (or plights) of their cast of shady characters, and even for evidence of substance-fueled inspiration, like the exuberance of tracks like Bodhisattva. Timing is everything, and they hit their creative stride at exactly the point when the music industry controlled the resources to underwrite unlimited studio time with elite musicians until SD had transferred their internal soundscapes onto tapes. The cynical brilliance of scoring their wry, dyspeptic vignettes with exquisitely complex melodies and arrangements also produced no end of hilariously ironic effects, from their treatment as ‘yacht rock’, placed in regular rotation on ‘soft rock’ stations, to their role in introducing the general public to slang for smoking heroin. With cultural malaise now playing out as civilizational decline, SD’s jaded misanthropic take seems more relevant than ever.
I love Steely Dan but would say they were about as hipster as it gets. From the smirking in-joke of the William Burrows band name to the meta referencing lyrics (famously in Show Biz Kids They got the Steely Dan T-shirt/And for the coup-de-gras/They’re outrageous) to the customary struggle with demon addictions (in fairness Walter Becker’s ‘Down at the Bottom’ is superbly self-effacing in this regard).
Being an anti-pop star is a hard trick to pull off. What you always get, even on the weaker comeback albums – is supreme musicality, originality and wit. The wonderful Doctor Wu, for example,
Biscayne Bay/Where the Cuban gentlemen sleep all day
I went searching for the song/You used to sing to me
Katy lies/You could see it in her eyes
But imagine my surprise/When I saw you
Plus Michael MacDonald on backing vocals – it doesn’t get much better. Suspect they wouldn’t have been a bundle of fun live but hey -ho. Who wants to don the t shirt and join the queue for hot dogs at the megadome? Not Donald or Walter, that’s for sure.
I love Steely Dan but would say they were about as hipster as it gets. From the smirking in-joke of the William Burrows band name to the meta referencing lyrics (famously in Show Biz Kids They got the Steely Dan T-shirt/And for the coup-de-gras/They’re outrageous) to the customary struggle with demon addictions (in fairness Walter Becker’s ‘Down at the Bottom’ is superbly self-effacing in this regard).
Being an anti-pop star is a hard trick to pull off. What you always get, even on the weaker comeback albums – is supreme musicality, originality and wit. The wonderful Doctor Wu, for example,
Biscayne Bay/Where the Cuban gentlemen sleep all day
I went searching for the song/You used to sing to me
Katy lies/You could see it in her eyes
But imagine my surprise/When I saw you
Plus Michael MacDonald on backing vocals – it doesn’t get much better. Suspect they wouldn’t have been a bundle of fun live but hey -ho. Who wants to don the t shirt and join the queue for hot dogs at the megadome? Not Donald or Walter, that’s for sure.
Also nothing like The Dan (and there is nothing like The Dan) there is the fake but wonderful Daisy Jones and The Six. Give the album Aurora a sincere listen and you will find some excellent 70s mid tempo mixed gender harmony pop to, if you come down from your purist high horse, really enjoy…
Also nothing like The Dan (and there is nothing like The Dan) there is the fake but wonderful Daisy Jones and The Six. Give the album Aurora a sincere listen and you will find some excellent 70s mid tempo mixed gender harmony pop to, if you come down from your purist high horse, really enjoy…