There can be few practitioners of the dark arts of light entertainment who watched the final extinction of Nicholas Parsons’ flickering candle without a taint of envy to contaminate their respect. “For he who lives more lives than one, more deaths than one must die”, wrote Oscar Wilde, and it is often said of great tenors that the death of the voice is more painful than the stopping of the heart. But Parsons knew no such distinction. He was, in his own deathless phrase, still speaking when the whistle blew, having hosted Just a Minute since 1967, when radio was still black and white.
His was a record of smooth, unequalled majesty. Until 2018, when Gyles Brandreth stepped in for a couple of episodes while the Doyen recuperated from a brief illness, he hadn’t missed a single recording. He was, at that time, 94 years of age, and still had a few months in him yet, his diaphragmatically modulated manner as suave and indulgent as ever.
The only other figure who has tracked my footprints in the sand for so long – other than our Lord and Saviour, of course – has been the Queen. It is only fair to note that Her Majesty has never had to worry that her next season might be her last, at least not on the whim of some new Controller, Focus Group or Social Media faux pas. But either way, they have both projected, above all else, ineffable calm.
I was two years old when Just a Minute first broadcast. Parsons has been asking guests to speak on a given subject within certain parameters for 60 seconds since before I could speak at all. And the voices of Derek Nimmo, Clement Freud, Peter Jones and Kenneth Williams were as much a part of my childhood kitchen memories as Bejam sacks, whistling kettles and chip pan fires.
So, how has a Host, a mere persona really, who was I imagine, a little outdated when he first accepted a challenge for Repetition, survived perhaps the most tumultuous decades of cultural revolution the Nation has known since the Civil War, and to bow out at the final curtain without having so much as rolled up the sleeves of his boating blazer?
The answer is of course – because of his refusal to change. Parsons saw off The Beatles, The Sex Pistols and The Prodigy, The Dot Com Boom and Crash, The Walkman, the fax machine and the digital watch, without so much as a gesture towards modernity. The World Trade Center rose and fell — as did the careers of Jimmy Young, Terry Wogan and of course J**** S*****. Sir Nicholas gave not one inch.
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