One of my favourite poems is ‘Waiting for the barbarians‘ by C.P. Cavafy.
It’s written from the perspective of a decaying civilisation awaiting the invader. A fatalistic ruling class is resigned to its fate and mounts no defence of their city – except for a display of finery, which they hope will impress their new overlords.
Their behaviour is both pompous and cowardly; and one hopes they get what they deserve (which in the poem they do, but more on that later).
‘Waiting for the barbarians’ has been interpreted as a satire on authoritarian paranoia – and its deep psychological need for a mortal enemy. But this is a misinterpretation. The poem satirises decadence, not paranoia.
The protagonists don’t so much fear invasion as long for it – seeking exaltation in subjugation. Indeed, there’s a special egotism in seeing oneself as the last in a long line – the culmination of an old order and therefore entitled to give it up without a fight.
Real world examples include the 20th century liberals who saw the triumph of socialism as inevitable. Or the appeasers who would have had us submit to Hitler. Or the post-war declinists who gave up on Britain and begat the euro-submissive establishment.
Today, we can see the same impulse in those who wait not for barbarians, but robots.
There’s a whole industry of experts predicting the obsolescence of the human workforce, displaced by the irresistibility productivity of AI-powered automation. It’s a disturbing, but also beguiling, prospect – a promise of leisure and luxury without limit. I’m half-attracted to it myself.
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SubscribeIt is all about perspective is it not. The first lesson I learnt in business is that if a customer decides to hate you and would tell his/her friends to not deal with me was to encourage that customer to do just that as I would not want them (the friends I mean) as customers. Perhaps the owners of media businesses would be well advised to adopt the same attitude.