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December 4, 2020 - 3:07pm
Just over four years ago, as Facebook recently reminded me in that unsettling way it has, I tagged along with an Iraqi Army general and a large convoy of his armoured vehicles as they took us to see the first street in Mosul to be liberated from ISIS rule. The impromptu press tour, right on the edge of the city, didn’t work out quite as planned: ISIS counterattacked, trapping us all in the street, to the general’s surprise and then despair.
Iraqi tanks closed off the street at both ends, firing at the car bombs heading towards us, while mortar teams blasted away in all directions at the snipers harassing us from the neighbouring streets and houses; the general, and his staff, huddled in a commandeered house, with their heads in their hands, arguing with each other about how or whether we could escape. It wasn’t a great experience, but it was a vivid early glimpse of how the gruelling, months-long battle for the ancient city would pan out.
Now Netflix have adapted the excellent 2017 New Yorker story by the journalist Luke Mogelson, who embedded with an elite Iraqi SWAT team as they fought their way into the city, and the result is an unexpected masterpiece. Working with the legendary Iraqi Kurdish journalist Sangar Khaleel to advise on authenticity, the result is a classic war movie, among the first and surely the best of the films that will fall out of the wider Arab Spring wars.
Filmed entirely in Arabic using local actors, Mosul feels real in a way war films generally don’t: it opens with haunting drone footage of Mosul’s devastated Old City, and at times, the camerawork slips into the artlessly-framed, shifting-focus look of documentary combat footage, marking itself out from the general run of Hollywood action movies.
The uniforms, weapons, and vehicles are all unusually correct. The street scenes, filmed in Marrakech, look like an Arab city in the middle of urban fighting in a way films never manage to authentically capture: not just the rubble and destruction, but the rubbish strewn everywhere, the clothes and food discarded in the midst of the fighting. You can smell the rot and shit and death as the tight-knit squad picks its way into the heart of the ISIS-held Old City.
Following a young Kurdish police recruit, Kawa, as he is adopted by a SWAT team on what transpires to be an off-the-books mission into the heart of the ISIS caliphate, Mosul quickly establishes the close bond between the men before killing them off one by one. Death, when it comes, isn’t heroic: lead characters as well as innocent civilians die in sudden, brutal, meaningless ways, alive one second and gone the next. Over the course of two hours, the green recruit Kawa is hardened by the fighting, brutalised into a skull-masked, pitiless avenger: to defeat ISIS, he becomes Death, more or less.
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SubscribeAwesome movie. Gritty, powerful, great acting and screenplay. I cannot understand why it was not given a general release airing. Right up there with the Green zone and 13 hours in Benghazi.
Thank you for the recommendation, this movie was so good. Just felt so real, which is the most important thing.
A cracking film and one of the most intense of its kind I’ve ever watched
I watched it a few days ago, I thought it was a terrific film.
I can see why the article calls it a classic war film, and why various other commenters enthuse about it. It is intense and gritty, and feels real, though I have no direct experience to compare it with. If you’re into tense, action-driven war movies, you’ll probably love it – it does look great for its genre.
If, like me, you prefer a movie that illuminates the political or social aspects, you might find it wanting.
All we really hear from ISIS is via the SWAT team’s walkie-talkies, saying “Your women will be ours and your children, cubs of the caliphate.”
The SWAT team have become a mirror image of their enemy, operating independently and defying orders, flying a skull and crossed rifles flag and executing surrendering soldiers.
Civilians are more or less just extras, there to be scared and run away or get killed.
So yes, if you want a classic war movie, definitely go for it.
If you want insight and commentary, don’t expect too much.