Fancy an educational experience? Something to please a palate too jaded to get a kick from a National Trust cream tea? A company based on an industrial estate in Staffordshire wants to offer you stronger meat. Pork, to be precise. ITAE Productions is going to use some porcine bits and pieces to give you a lesson in 19th-century history.
They’ll mix them with synthetic biological matter and cram them into a simulacrum of a corpse blossoming with cauliflower-like tumours. Not just any old fake dead body, but that of an eminent Victorian: Joseph Merrick, whose painful life as “the Elephant Man” is now one of the narratives through which we judge the culture of his age. You’ll put on PPE to protect you from any stray fragments of pig brain and — armed with a real scalpel — you and other paying punters will perform a simulation of Merrick’s autopsy. A two-course meal is provided during this “dinner and dissection” event.
Let’s get something straight about the motives here. It’s not supposed to be a horror show. It’s not intended to demean the memory of Merrick by making his disability the subject of grand guignol dinner theatre. It is “to support and improve knowledge and awareness in the medical space.” Which must be why ITAE was going to stage it in a big top erected in a rugby club car park at Halloween, that traditional time for supporting awareness in the medical space. This was the plan, anyway, until the venue found out about the Elephant angle and cancelled the booking, forcing the organisers to reschedule for January.
ITAE is the brainchild of Samuel Piri, a former STEM schoolteacher whose business is part-owned by two of the stars of BBC2’s Dragon’s Den. You might have seen the August 2018 edition of the programme in which a young man with a nervous laugh and a product-slicked pudding bowl haircut made an unusual pitch in front of a smorgasbord of pig offal. Bathed in that blue light beloved by directors of Silent Witness, he proselytised the value of artificial cadavers in education and training and explained that his ticketed events, open to the public but popular with NHS staff, could generate an income of £15,000 per day.
The Dragons were a little weirded out by the idea that Piri served dinner at his dissections, but liked his numbers and his originality. Deborah Meaden and Peter Jones, the programme’s most enduring reptiles, offered him £90,000 for a 10% stake in his company. It looked like a perfectly respectable enterprise. A way, perhaps, of demystifying the subject of physiology. The evisceration of real historical figures was not discussed. Nobody, certainly, mentioned the Elephant Man.
It’s hard to get a clear view of Joseph Carey Merrick. That’s partly the fault of the work through which most of us know his story — David Lynch’s The Elephant Man (1980), a film that mimics the aesthetics of Victorian photography so perfectly that you might believe you were gazing directly into the past. No film so fully generates the illusion that the 19th century actually took place in black and white. But the movie is misleading. Its quorum of real historical figures — John Hurt as Merrick, Anthony Hopkins as Frederick Treves, his surgeon patron, John Gielgud as Carr Gomm, chair of the Royal London Hospital — is joined by another figure whom most viewers probably assume is drawn straight from the historical record. But Mr Bytes, the gin-sodden showman who beats Merrick in his drunken rages, never existed.
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SubscribeSounds pretty macabre, but fascinating story. Tej ever the wise one.