“Write as you speak” is the advice Saul Bellow gave to Allan Bloom. It had been passed on to writers both before and since, but after Unspeakable: The Autobiography it is clear that a caveat should be added: “Unless you are John Bercow.” Only weeks after retiring from his position as Speaker of the House of Commons here he is back, in book form, writing with those same ticks, ingratiations and sub-Gilbert and Sullivan witticisms that we might have hoped would have disappeared with the last Parliament.
On page one we discover that “In Parliament, naturally and properly, everything said is recorded and published verbatim.” A page later we learn that “predictably, and perfectly properly, the Attorney General said…” Two pages on and we can read of how “I therefore intervened good-naturedly, saying ‘I do not normally offer stylistic advice to the Attorney General, but his tendency to perambulate while prating is disagreeable to the House.’” A witticism that I am sure readers will (both good-naturedly and perfectly properly) be grateful to the former Speaker for capturing between hard covers.
The audience for this book is anyone eager to relive the glory days of the 2019 Parliament: anyone keen to reminiscence about what happened when Parliament was prorogued and then de-prorogued. The difference this time is that it can all be refracted through the lens of John Bercow’s own personal views, which had previously been a mystery.
So the reader can be reminded of that day last year when Parliament reconvened and Geoffrey Cox referred to a matter that “in advocacy terms” is “what we used to call a ‘when did you stop beating your wife?’ question.” But here we have an added editorial. Of this comment Bercow writes, “The reference to the ‘when did you stop beating your wife?’ question rightly went down extremely badly in the House, especially but not only with female colleagues.”
While examples of others’ verbal malpractice abound, it is to the author’s credit and the reader’s good fortune that an example is always on hand to showcase best practice. Through tense times our guide remains resolute. “What I was not prepared to do was to behave hypocritically,” he informs the reader. “The abuse of power was foiled, but make no mistake. That is precisely what it was: an abuse of power.” And again, “It was never any part of my role to serve as a nodding donkey or quiescent lickspittle of the executive branch of our political system.”
Happily Unspeakable is not just a blow-by-blow account of last autumn. It is also the story of how John Bercow came to be the man he almost is. We learn of his parentage, of how his maternal grandmother was said to have had a brief affair with “a local toff” who “promptly scarpered, offering not a penny piece to support her in the raising of my mother, Brenda.”
We learn of his schooldays, of how young John played the recorder “without distinction” but excelled at tennis and politics. How different the history of politics — not to mention recorder playing — might have been had such talents been reversed. We also learn of how, at Finchley Manorhill, the young Bercow was struck down by acne. “At first, it was a modest affliction – I would apply a cream and the problem would go.” Later gels and “liquid solutions” were proffered, but the problem did not go away. “It festered. It intensified.” Rarely has a work’s better subtitle hidden in such plain sight.
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