Mike Leigh makes singular and successful films. Vera Drake, a gritty and morally ambivalent portrayal of a backstreet abortionist in 1950s London, won the Golden Lion at the Venice Film Festival. Topsy Turvy, a witty and faithful tribute to the D’Oyly Carte Opera Company, won two Oscars. Mr Turner gained Timothy Spall the Cannes Festival’s ‘Best Actor’ award for his portrait of the great artist.
One of the characteristics of Leigh’s films is authentic period detail, and his latest, Peterloo, released next month, promises to be his most dramatic historical spectacle yet. It also appears to be his most polemical. All children should be taught about ‘Peterloo’ (whose 200th anniversary falls next year), says the veteran filmmaker:
“They will know about 1066 and Magna Carta and Henry VIII and his six wives and they may be told about the French revolution and the battle of Waterloo … [but Peterloo] was a major, major event which resonated down the 19th century into the 20th century in the context of democracy and suffrage.”
If the claim is true then, why do so few people know about it? Was it really on a par with Magna Carta and the French revolution, or is Mike Leigh giving it a significance it never had – and thereby contemporary resonance? One of the film’s leading actors, Maxine Peake, said recently at an event to mark next year’s bicentenary:
“We’re in a very dangerous place politically at the moment and protest is really important. We’ve got to remember our history to move forward… People say protest is defunct nowadays and I think that’s wrong. We need it more than ever, we need people physically coming together in events. I may be being a bit of a scaremonger, but I feel it might not be long before we have another Peterloo incident. You look at events like Grenfell and Hillsborough, where working-class people were ignored and disrespected by those in charge and there were huge cover-ups.”
So what exactly was this 19th-century precursor of Grenfell and Hillsborough? Peterloo, says the normally reliable Encyclopædia Britannica, was:
“the brutal dispersal by cavalry of a radical meeting held on St Peter’s Fields in Manchester [hence the ironic conflation of “Peter” and “Waterloo”] on 16 August 1819. The ‘massacre’ attests to the profound fears of the privileged classes of the imminence of violent Jacobin revolution in England in the years after the Napoleonic Wars. To radicals and reformers Peterloo came to symbolize Tory callousness and tyranny.”
Bloody it certainly was: 11 men and four women were killed or died of injuries, most of them trampled by horses. But was it “brutal”, with the connotation of intentional savagery – bloodthirstiness, even – or was it more the case of ineptitude by the civil power, and lack of skill by the military? “Only in England do they call that a massacre,” sneered one French diplomat.
The Manchester meeting was the culmination of a series of political rallies, some of them violent, such as that at Spa Fields in London three years earlier. The organisers at Spa Fields had intended it as a test-run for a full-scale rebellion, wanting to gauge how much popular support they might command. Since Spa Fields the economic climate had worsened further: 1819 was a year of particularly severe industrial depression and high food prices. The high prices were in part the result of the “Corn Laws” introduced in 1815 – tariffs and other trade restrictions on imported food and grain to keep prices high to favour domestic producers.
Join the discussion
Join like minded readers that support our journalism by becoming a paid subscriber
To join the discussion in the comments, become a paid subscriber.
Join like minded readers that support our journalism, read unlimited articles and enjoy other subscriber-only benefits.
Subscribe