Search online for phrases like ‘screen time’ and ‘screen addition’ and you’ll find a long list of news items and op-eds fretting about the impact of our viewing habits on our children, our culture and even our sleep patterns.
But what kind of screens are we talking about here? Smartphone screens, certainly; also laptops, tablets, workstations and game displays. Television screens, however, barely get a look in. They may be bigger and brighter than at any time in their history, but TV as a medium has shrunk to the margins of the debate over tech and society .
This has happened in a remarkably short period of time. In the late 20th century, TV wasn’t just the top target of tabloid outrage merchants, but also of serious sociological critiques like Neil Postman’s Amusing ourselves to death. The book’s subtitle was Public discourse in the age of show business and its narrative was one of decline. Looking at the present incumbent of the White House, one can hardly accuse Postman of having overstated his case.
Fifteen years later, in Bowling alone, Robert Putnam identified television as a major factor in the post-war decline of American social capital. It was another landmark publication, but also the high watermark of telly-scepticism. In the 21st century, concern has shifted to the internet, computer games and social media. It’s particularly interesting to see the ‘fake news’ issue generalised across all media, rather than attaching mainly to TV.
It’s not as if we’re not watching TV anymore. On average, we still spend hours everyday doing so – most of it still through conventional TV sets (though other devices are taking an ever-bigger share).
Of course, the reason why we think about TV differently is because we watch it differently. This is how Adam Sternberg puts it in a piece for the Walrus:
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