I went for a coffee a few weeks back. Not particularly newsworthy, and perhaps not the most inspiring of starts, but do bear with me. Whilst trying to work out which menu item would be closest to a normal cup of coffee, we were informed that, in addition to the usual cakes and pastries, there were also pancakes available, it being Pancake Day. In that jocular manner which always seems funnier to me than to those who have to endure it, I declared it wonderful that the café was keeping Shrove Tuesday, and asked would they be keeping Ash Wednesday?
I know, I know. Mea culpa.
Still, the response eventually came: “What’s that?”
Cue raised eyebrows, jaws dropping, coffee cups falling to the floor etc. Admittedly I exaggerate, but after some back and forth it soon became clear that this gentleman with whom we spoke – an articulate, intelligent, and respectable young man – had no idea what Ash Wednesday was.
Now of course, it might be that we elevate what is important to ourselves as that which ought to be important to everybody else, but surely one need not be religious to know about Ash Wednesday. Indeed, one need not be religious to care. There is a certain amount of cultural detail, of collective awareness, that we might just expect people to know, or more precisely to have been taught – in this case the marking of a liturgical season, but in another case a particular sculpture, a common idiom, a piece of literature, a score of music or a work of art. These things form the warp and weft of our culture, comprising the framework for which any account of being ‘educated’ can be built. Would we not just expect most informed adults to know of certain things? The Sistine Chapel? Shakespeare? Beethoven? Lent?
More and more teachers have decided that the answer to these questions is: yes. There is a burgeoning interest in the work of E D Hirsh and the concept of ‘cultural literacy’ – the idea that a good education includes an awareness of the fruits of the culture in which we are being and have been formed. This is particularly pertinent for the most disadvantaged, for whom external conditions might not always provide the opportunity to engage with high culture, to have their minds, in the words of Peter Hitchens, “furnished with beauty”. With this comes a kind of social dislocation – an inability to engage with those things society has historically determined are worthy of engagement, or thrive within a society that does so.
The concept, however, is incomplete: for too long, the knowledge revolution has tended to proceed without due consideration given to the role of scripture as a core aspect of any meaningful account of cultural literacy. In short, those with a secular outlook too often assume cultural literacy can be pursued as an entirely secular affair. They might include important religious works of art or sculpture, but they attend to them as artefacts rather than testimony, and are rather more circumspect about the scriptural knowledge that would add new levels of understanding to their gaze.
Such neglect represents a tragic loss. In the words of Gabriele Finaldi, Director of the National Gallery, a secularised education and loss of scriptural understanding is worrying, since:
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