Vast economic and social transformations generated great European literature as the examples of Charles Dickens, Victor Hugo and Émile Zola suggest. Nowadays in the West, even major events like 9/11 or the 2008 financial crash can’t generate a half-worthy fictional response.
For something worthy of great works one should begin with contemporary China, which is engaged in relocating three quarters of its 1.4 billion population into towns and cities by 2030. In addition to such conurbations as the Pearl River Delta with 46 million inhabitants, China has 221 cities of over a million people. Few people could name a handful of these – and by way of comparison the equivalent European figure is 35.
Other statistics almost defy reality, notably that China consumed more cement between 2011-13 than the US did in the entire twentieth century. “Almost defy” because the International Cement Review did check the fact and found it was accurate. China is also transforming its economy from a reliance on capital goods and cheap exports to high value exports (including nuclear power plants) and domestic consumption by the country’s burgeoning middle class, which nowadays easily dwarfs the population of Europe. Uprooting hundreds or millions of people, as well as policies like the one-child policy, have enormous social and psychological effects, from creating selfish little princes or decoupling sexual pleasure from reproduction in the latter case.[i]
Yan Lianke is one of China’s greatest contemporary novelists. Born in Henan province in 1958, Lianke has published fourteen novels, though those available to Mandarin readers (when they are not banned entirely) often omit the ‘fuller’ versions published abroad. In 2014 he described his subject matter:
“When I look at contemporary China, I see a nation that is thriving yet distorted, developing yet mutated. I see corruption, absurdity, disorder and chaos. Every day, something occurs that lies outside ordinary reason and logic. A system of morality, and a respect for humanity that was developed over several millenniums is unraveling.”1
A CITY CALLED EXPLOSION
One of his recent novels is The Explosion Chronicles. The fictitious author/narrator (Lianke himself) accepts a big fee to abandon a novel, so as to knock into shape a rough and ready account, based on local gazetteers, of the mushrooming of a small mountain village in Henan called Explosion into a town, county and then a provincial-level megalopolis of 20 millions in a fifty years period.2
The village’s transformation stems from its proximity to an incline where freight trains slow, enabling the more enterprising inhabitants to steal goods from the open wagons. They start with coal and move on to clothing. The young female population simultaneously migrates to towns to work in the euphemistically named entertainment industry, returning to set up businesses that include saunas, nail bars, restaurants and the Otherworldy Delight red light district. Roofs switch from being thatched to tiled, a key mark of prosperity. Factories and mines proliferate, as do pharmaceutical firms after the air becomes too toxic to breath. To lure rich American investors, the city recreates the sensual delights and carnage of Vietnam (using the population to re-enact Apocalypse Now) to distract and shame a CEO whose penchant for young Vietnamese prostitutes made him initially favor Southeast Asia over Explosion. Scrupulous, the rulers of Explosion are not, persuading over-sixties to vote for them in pseudo elections with promises of burial before the town adopts compulsory cremation to free up development land.
The human drama derives from the Macbeth-like rivalry of the Kong and Zhu families, which partially merge to promote Explosion’s development from model village to megalopolis. Kong Mingliang becomes the city boss, while his younger brother rises up through the army, with his own force fighting mock battles with powers that disrespect China. Mingliang never shakes off his origin as a thief, filling entire cabinets in his palace with the trivia he steals while attending ever more important meetings in the capital.
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