X Close

Has Dune: Part Two started a sci-fi resurgence?

'Hard' science-fiction is having a moment.

April 1, 2024 - 4:16pm

Dune Part 2 is even more successful than Dune Part 1. To date, it’s the highest grossing film of the year, raking in over $600 million in global box office receipts. Together, parts 1 and 2 have grossed more than a billion dollars.

Dune Part 3, based on Frank Herbert’s follow-up novel, Dune Messiah, is now on the cards. However, it’s unlikely there’ll be further adaptations. The next novel (spoilers ahead) in the sequence involves a giant man-worm ruling the galaxy for 3,000 years. Not even a genius director like Denis Villeneuve could turn that into a viable movie.

Luckily for Hollywood, there are plenty of other densely plotted sci-fi novels ready to be adapted. The Dune films prove that the audience is out there. So does the adaptation of Liu Cixin’s Three Body Problem, currently on Netflix. Scenes of subtitled Chinese dialogue have not put off western viewers — nor has all the talk of particle physics.

Clearly, serious science fiction is having a moment. After decades of being overshadowed by superhero stories, fantasy and horror, the smartest of the genres is back. Audiences have grown bored with caped crusaders, wizards and vampires — and want something extra-terrestrial, yet plausible, instead.

That’s why the sci-fi revival is being led by the “hard” end of the genre. “Soft” SF doesn’t dwell upon how its fictional worlds work — it gets straight to the spectacle, action and human interest.

For hard SF fans, it’s gratifying to see niche obsessions entering mainstream culture, but why now? The new possibilities offered by CGI and streaming clearly play a part, but there’s something more important going on.

For the last 30 years, we’ve lived in an era of stasis — a combination of American hegemony and economic stagnation. Unlike previous generations, we mostly haven’t had our lives transformed by global events or material progress. With comparatively little going on in the wider world, our culture has become introspective, even solipsistic. The most significant technological advances — the internet and the mobile phone — have only served to facilitate the centring of the ego.

It’s no wonder, then, that genres that emphasise self-actualisation — like the origin stories of the superhero genre or the quests of fantasy literature — have dominated popular culture. It’s all about the “journey”.

Yet external reality cannot be ignored forever. Multi-polarity is undoing Pax Americana; breakthroughs in artificial intelligence could upend the global economy; and climate change is at work on a planetary scale. The realisation that we’re being swept along by events so much bigger than any of us will only grow in the years ahead.

It’s humbling and disturbing and we need to make sense of it. Political and religious philosophies which help people do that will prosper. The same applies to culture. After years of catering to main character syndrome — the delusion that one is the star in any situation — it is time to give the wider world top billing.


Peter Franklin is Associate Editor of UnHerd. He was previously a policy advisor and speechwriter on environmental and social issues.

peterfranklin_

Join the discussion


Join like minded readers that support our journalism by becoming a paid subscriber


To join the discussion in the comments, become a paid subscriber.

Join like minded readers that support our journalism, read unlimited articles and enjoy other subscriber-only benefits.

Subscribe
Subscribe
Notify of
guest

16 Comments
Most Voted
Newest Oldest
Inline Feedbacks
View all comments
Jim Veenbaas
Jim Veenbaas
7 months ago

Loved reading Dune as a kid and watching the movies as an adult. One of my favourite sci-fi series’ is Mortal Engines. The books were fantastic. They even produced a movie for the first book, which I thought was well done. Must have bombed at the box office because they never made another.

John Murray
John Murray
7 months ago
Reply to  Jim Veenbaas

Yeah, unfortunately the Mortal Engines movie bombed hard. It is a shame since they did a great job on the look of it, but whatever that intangible thing is that makes a hit, it didn’t have it.

Jim Veenbaas
Jim Veenbaas
7 months ago
Reply to  John Murray

The book series was fantastic.

Lancashire Lad
Lancashire Lad
7 months ago

The writer makes an important connection between real-world events and the types of fiction which gain traction. I think this deserves a wider airing.

John Galt Was Correct
John Galt Was Correct
7 months ago

It can only be hoped so. With the exception of Iain M Banks the most modern Sci-Fi books that I have are by William Gibson. It’s hard to imagine any resurgence coming close to the 1950’s and ’60’s, and/or the giants like Philip K d**k, Asimov, Bradbury or Clarke

Ali W
Ali W
7 months ago

Speaking of Iain Banks, I would think the culture series would do well in the current climate.

UnHerd Reader
UnHerd Reader
7 months ago

I stopped reading once I encountered “ Not even a genius director like Denis Villeneuve…”. Clearly the author has no taste whatsoever.

Benedict Waterson
Benedict Waterson
7 months ago

very wise

R Wright
R Wright
7 months ago

It still confuses me that nobody has done a TV or movie adaptation of A Canticle for Leibowitz.

Andrew Dalton
Andrew Dalton
7 months ago

Is Unherd embracing nerd culture?
Although there is a market for hard science fiction, I’m not convinced yet. My favourite series in recent years was The Expanse, adapted from the novels of James Corey, and although fairly popular among fans of a harder science fiction, it didn’t really trigger anything.
I think the author does make some interesting points about the nature of our times, but I think there are simpler explanations for the movie’s success. Dune is possibly the preeminent science fiction novel, so will always garner interest. The 80s movie had a terrible choice for director (no slight on David Lynch, who I think is fantastic) and the later sci-fi channel adaptation was just very low budget and looked more like Babylon 5. We’ve just had a high quality adaptation of an extremely successful and well regarded novel – Peter Jackson’s Lord of the Rings was a similar event and that didn’t herald anything about the contemporary period it was filmed and released.

Wyatt W
Wyatt W
7 months ago
Reply to  Andrew Dalton

Huge fan of the Expanse novels, but I honestly was a little disappointed in the show. I understand why they didn’t, but I wish they would have gotten older actors and finished the story through book 9.

Andrew Dalton
Andrew Dalton
7 months ago
Reply to  Wyatt W

A rarity for me, but I watched the show before reading the books. It’s usually safer that way.

Ali W
Ali W
7 months ago
Reply to  Andrew Dalton

First three seasons of the Expanse show are some of the best sci-fi television out there. I enjoyed the books other than the fourth one, but I think the show took the amazing world building of the books and added much needed character development. The show dropped off significantly after S3 and I still haven’t finished the whole series.

Michael Kaplan
Michael Kaplan
7 months ago
Reply to  Ali W

I watched the first three seasons of the Expanse before I read the books. I think Seasons 4 and 5 maintained the quality of the first three, but Season 6 was shortened and was a disappointment. Book 4 and Season 4, “Cibola Burn” where humans start their first colony on an exoplanet, was my favorite. The colony was a near complete disaster until James Holden and the crew of the Roci turned it around. I was disappointed in the final three books which replaced the complexities of Earth-Mars-Belter “geopolitics” with a simplistic conquest of all of human space by a proto molecule enhanced Napoleon wanna-be.

UnHerd Reader
UnHerd Reader
7 months ago

Awful film. Pointless and pretentious acting. The soundtrack is actually just sound – not music.

Derek Smith
Derek Smith
7 months ago

Dune Part 2 didn’t do it for me, I’m afraid.