March 4, 2025 - 10:30am

If you can’t make history at the Oscars by choosing a man Best Actress, then opting for the young star of a film about a feisty “sex worker” will do just as well. Once this year’s early favourite, transgender “actress” Karla Sofía Gascón, was cold-shouldered following revelations about historic social media posts, the goal was wide open for 25-year-old Mikey Madison. In Anora, she plays a stripper who marries the son of a Russian oligarch, demonstrating Hollywood’s undimmed appetite for sanitised versions of the commercial sex trade. Pretty Woman, anyone?

Madison had already displayed her willingness to spout nonsense about prostitution at the BAFTAs, when she dedicated her Best Actress award to the “sex worker community”. She did it again on Sunday. “I also just want to again recognise and honour the sex worker community,” she gushed. “I will continue to support and be an ally.”

Everyone wants to be an “ally” these days, although it isn’t clear what this actually involves. Madison has certainly embraced the jargon, always referring to “sex workers” — a phrase designed to pretend it’s a job like any other — rather than prostituted women. Normalising the sale of women’s bodies has been a prime objective of people who make money from it, and it’s been extraordinarily successful.

To its shame, the British Government has even adopted the term, with a 2014 review for the Department of Health claiming that “sex worker” is now “the preferred term used throughout the literature”. “The term has been adopted as it is free of complicated, derogatory and sexist connotations which are more commonly associated with the term ‘prostitute’,” the review stated. It’s all the more ironic, then, that an actual “sex worker” consulted by the film’s director, Sean Baker, is uneasy about the violence directed at Madison’s character in the film. “As a sex worker, I feel like we’ve seen enough violence against sex workers on screen,” Andrea Werhun told MailOnline.

Male violence is, of course, what prostituted women face every day of their lives. That’s not what the audience at the Oscars wants to hear, cocooned in clothes borrowed from their designer friends and in their chauffeur-driven limousines. Sunday night was an opportunity for celebrities to congratulate themselves on being cool and “sex-positive”, while remaining at a safe distance from the reality of an existence plagued by violence, homelessness and addiction.

Multiple studies show that women who sell sex have usually been sexually abused as children, entering the “industry” as young as 13. A briefing published by a medical journal last year pointed out that prostituted women suffer from PTSD, anxiety and depression. It added that “the constant need to negotiate boundaries, handle difficult clients, and navigate potentially dangerous situations can create chronic stress and exacerbate mental health challenges”. No wonder, when they face demands for unsafe forms of sex, exposing them to disease and physical injuries.

Instead, Hollywood prefers feel-good stories about plucky “sex workers” using their wits to triumph over adversity to become symbols of sexual liberation. It’s a fantasy world that unquestioningly embraces the latest fashionable cause, whether it’s “sex work” or troubled young actresses cutting off their breasts. Celebrity “allies”, unfortunately, rarely do much to advance the welfare of women.


Joan Smith is a novelist and columnist. She was previously Chair of the Mayor of London’s Violence Against Women and Girls Board, and is on the advisory group for Sex Matters. Her book Unfortunately, She Was A Nymphomaniac: A New History of Rome’s Imperial Women was published in November 2024.

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